Shoebox Poetry: Sunday Pose

pictures on sundays
wearing pure white
pearls, flowers, smiles

but not before

we wash in the family tub
first dad and then my ten brothers
then mother
then me
        cold
        dirt
        shame
        s i n
it absorbs deep into 
        my   soft skin
        my   thick blood
        my   frail bones
leaving me scabbed
broken apart
dirtier than before
but mother covers it all with white

smile, she says
but I’m thinking of willow trees
carving my name with a sharp knife
pomegranate juice running down my chin
screaming at the stars

straighten up, she says
but I’m thinking of foggy forests
walking barefoot through mossy earth
honey dripping from my fingertips
bathing in the moonlight

be sweet, she says
but I’m thinking of roaring waves
sunlight on freckled shoulders
seaweed stuck between toes
salt water taffy kisses

be quiet, she says
but I’m thinking of throwing things
messy hair and dirty fingernails
cadmium yellow, ultramarine blue
painting my own life

but not before

pictures on sundays
wearing pure white
pearls, flowers, smiles


Shoebox Poetry: Last week I rediscovered an old box of photos I inherited when my grandmother died in 2004. This poem is the first in a series of poems using those images as inspiration. Today’s photo is of my grandmother as a young woman. There is no date, but the sweeping handwriting on the back says “Kate, Gill St.” And yes, she told me her entire family bathed in the same water every Sunday before church. Can you even imagine?

The Birds | A Short Story

Stepping through the maze of twisting vines covering mother’s garden shed, I open the round wooden door and enter without her permission. I need to see what she’s been hiding from me. A sharp, tangy smell fills the air and my bare feet squish into the wet soil. I can’t believe I’m finally doing this.

Streaks of light follow me into the dusty darkness giving me a narrow view of the interior of the shed. I see no shelves. No jars. No baskets. Nothing at all but an empty room. Although it’s small, the dark space above me is filled with scuffling sounds and feels much larger than it looks from the outside. I’m not afraid of the truth, I say to myself and take another step.

Reaching my hands above me to check for cobwebs, I stand on tiptoes and peer into the shadowy rafters. I can’t see anything, but the ruffling sounds increase and I freeze. A moment later, something small and round zips through the air and lands on the fingertips of my left hand.

Remembering all of the puncture wounds on my mother’s body, I brace myself for an attack, but nothing happens. After a few deep breaths, I gather my courage and rotate my hand slowly. The unknown critter hops several times until its heartbeat pounds into the curve of my outstretched palm.

For years I’ve been convinced my mother has been hiding the world within her shed and now I’m certain this living thing in my hand is the key to unlocking it. Lifting it closer to my face and into a streak of sunlight, I see it’s a little black bird with glossy unblinking eyes and a bright orange beak. 

It’s the same type of bird I see perched in the peach tree outside the kitchen window every morning while I eat breakfast. I see them in the evening too, sitting in the thin branches of the birch trees while I play in the yard behind the house. Why has mother hidden them in her shed? The bird in my hand coos as if trying to answer and I bring it even closer to my face.

“Hello, little bird.”

I’m not supposed to be here, but the bird doesn’t seem too concerned. It chirps loudly and the sound is answered by hundreds of flapping wings above me. Wispy, dark feathers fall like autumn leaves onto the braids of my hair, the curve of my freckled cheek, and the tip of my upturned nose. 

Each place they touch tingles with electricity and heat, moving inward through my body. When the sensation reaches my gut, it explodes. It’s as if the core of my body has been waiting for this moment to truly come alive. I don’t know why my mother tried to hide this from me, but I found it anyway. The truth rushes through me.

All the times I stood in front of the large mirror in my mother’s room and spoke to my reflection as if it might be able to answer me, I wasn’t wrong. Another world does exist, layered beneath ours. It calls to me. Closing my eyes, I picture myself sprouting wings and diving into fluffy pink cotton candy clouds. The world below looks much smaller than it did before, or have I grown bigger?

The birds continue to fly around me, cooing and singing in a language I can partly understand. Mimsy. Snozzwangers. Heffalump. Nerkle. As their wings brush against my cheeks and arms, the words flow through me bringing images of fantastical delights. If I could stay here forever I know I’d learn their language and their secrets. I could become like them.

The metallic thud of a car door closing silences the birds in an instant. Mother’s home from the store and if she finds me in here I’ll be in big trouble. I open my eyes and the birds have all scattered—returned to the dark shadows of the rafters. I want to call out promises to return, but I don’t want to risk being heard and I’m not sure I’ll be able to come back. Instead, I walk out the door and close it as quietly as I can behind me.

I’m a mess, covered in feathers and smelling like the sticky mud on the bottom of the shed. Without looking toward the house, I run through the thick birch tree grove to the shallow creek which separates our property from those of Old Man Stefan. Birds circle and scream in the sky above me, but I don’t know if they are the birds from the shed. I can’t make out what they are saying.

Mother will be calling me soon to help cook dinner, so I dangle my feet into the cold creek and splash water onto my bare legs and arms. It’s icy cold and I shiver slightly. The sun has moved to a place behind the trees and the sky has a golden tinge that will soon grow purple.

The water flows slowly, causing several clumps of vibrant green algae to wave gently. A small gray spotted fish darts out from behind a pile of smooth river rocks. It opens and closes its mouth and I have the strangest thought—if I stick my head in the water will I be able to hear it speak?

Although I know my mother will be calling me soon, I have to try. Laying on my belly on the grassy shore, I plunge my head into the water and listen intently. The rushing sound of the water as it flows over the rocks is occasionally interrupted by an odd popping sound, but I don’t hear any voices. Forcing my eyes open, I see the fish mere inches from my nose. Its large, round eyes stare at me and its mouth continues to move but I don’t understand what it’s trying to say.

Surfacing, I shake the water from my braids and tell myself I’m being silly. The birds didn’t speak to me and neither can this fish. The certainty I felt in the shed has faded and I’m far less confident any of it is real. It’s as if a magical silk was drawn across my eyes coloring the world and is now removed again. I’m suddenly very tired. I cover my face with my hands.

Minutes pass and I only lift my head when I hear the sound of several birds landing in the trees across the water. They stare at me with dozens of shiny black eyes and the warming sensation in my gut flares to life again. I have a feeling I’m supposed to do something, but I don’t know what. 

A single black feather floats from the trees and circles above the water. I watch it dance back and forth before it lands delicately on the surface, balanced like a water bug on its spindly legs. Before the current can rush it away, the same grey spotted fish swims frantically to it and bites at its soft uneven edges. I have the sense it’s trying to tell me something so I lean closer to the water.

“You want to be a bird?”

I’m not sure why I say it, but incredibly, the fish nods its head and stares back at me. Okay, I think, I can do this. Lowering my hand into the cold water, the fish quickly swims into my palm. I close my fingers around its wiggly body and pull it out of the water. I stare at its round fish eye for a minute before closing my own eyes.

Using all my imagination and concentration, I picture one of the birds in the shed. I concentrate on the way the feathers fold across the body and the way the beak curves on the top. The fish wiggles in my hand and then goes limp. I open my eyes slowly, afraid I may have killed it, but it worked! I did it!

A small black bird, exactly like those in the shed or those in the trees staring at me now, sits in my palm blinking at me. I giggle as it shakes its wings, nods its head, and flies into the sky. Splashing around in the muddy dirt beside the creek, I watch the bird soar overhead diving and flipping through the clouds. It seems so happy. I’ve never been more proud of myself.

“Ta-Ting! Ta-Ting! Ta-Ting!”

Mother rings the metal triangle by the back door three times which means it’s time for me to go inside and help with dinner. I wave goodbye to the fish-turned-bird and skip my way back home. I don’t remember ever feeling this happy.

Mother puts on her favorite jazz record and luckily doesn’t seem to notice my muddy feet. She hands me the apron covered in lemons and sets me to work peeling potatoes and carrots. She seems lost in thought and I’m happy to work in silence as she seasons the chicken, adds my veggies to the tray, and puts it in the oven.

While dinner cooks, I do my evening chores. I sweep the kitchen and living room, dust everything, set the table, and change into a nice dress for dinner. Mother and I eat in silence, passing the rose-colored salt-and-pepper shakers back and forth. She seems in a good mood and I’m lost in thought. Dinner passes quickly.

After dinner, we do the dishes side-by-side, like always. She washes and I dry. She hasn’t noticed any change in me and I’m doing my best to act normal. 

I’m not supposed to know about the magic of the birds, but it’s all I can think about. I wonder what other magic I can do. Does the creature have to want to be changed? Can I change things into something other than birds? Could I change Old Man Stefan’s mean cat into a toad? The thought of the scraggly mean cat croaking and jumping across the fence makes me laugh. Mother notices.

“What’s so funny?”

Mother stops washing the dishes and stares at me with her hands on her hips. I know this stern look and I try hard to keep a neutral face. I don’t want to give away my secret.

“Oh, I was thinking about a funny joke I heard at school…”

It’s a stupid lie and I immediately try and think of a joke I could use if she asks me what it is, but her attention has switched to my hair. She pulls a black feather out of my braid and holds it up to the light. Her face goes from slightly annoyed to angry.

“How could you? I told you to stay out of the shed because it’s dangerous, but did you listen? Of course, you didn’t. You think rules don’t apply to you—little miss perfect. It’s because you think you are better than me, isn’t it? You think the birds won’t attack you, huh? You are wrong, child. You have no idea what you are playing with.”

Without drying her hands and before I can say anything in response, she slaps me hard across the face. I stumble backward and drop the towel onto the floor. She picks it up and throws it onto the counter, knocking over two glasses that tumble to the floor and shatter.

“Look what you made me do! You are an ungrateful brat! Go to your room. I don’t want to see your face anymore.”

Rage prickles through me like a spiny monster trying to get out. Images of throwing things and slamming doors run through my mind, but I know if I act on those feelings everything will get much worse. I’ve never seen my mother so mad, so I do my best to appear calm by hanging my apron on the hook by the door, walking slowly to my bedroom, and shutting the door with a delicate click.

Throwing myself onto the bed, I scream into my pillow until it’s soaked through with tears and my body goes limp. Rolling onto my back, I stare out the window at a crescent moon and wonder if the birds in the shed are still singing mimsy and truffula. Mother will be doing paperwork by candlelight at her desk. I wish I could ask her about the birds. I wish we could talk about anything.

Mother painted my room pale yellow when she was pregnant with me and it’s remained the same color. I scan the three shelves above my bed, looking at my collection of neatly arranged stuffed animals, framed artwork, and little glass figurines. The kids in my class have much messier rooms, but I’ve always been proud of how much I can be trusted to care for my things.

On the shelf closest to me, tucked between a reproduction of “Starry Night” and a stuffed blue penguin sits a glossy glass black bird with a delicate tiny beak of pale orange. I’ve got a collection of ten birds, all given to me by my aunt Nona as birthday presents. She wraps them in pristine white silk and includes a note saying, “Happy Birthday little bird” in curling cursive letters. I wonder if these gifts were meant to be hints at what I discovered in the shed. Does she know? Can she do the same magic?

Without thinking, I reach my hand toward the bird and call it to me.

“Come here, little bird.”

The warming sensation in my gut returns as the bird shakes its wings, chirps softly, and glides from the shelf to my outstretched palm. It breathes slowly and I stroke its soft feathers. It’s alive! I made this bird real just by thinking about it. A rush of excitement thunders through me and suddenly I’m giddy with possibility.

“Come, little birds, come and play with me!”

Singing the words as brightly and cheery as I can, the effect is immediate. A swirling mass of wings and chirps fills the air as the nine figurines come alive and land on the bed around me. Before I can say anything to them, several paintings around the room shake as colorful fantastical birds wiggle out of the frames and join the blackbirds on the bed. These are fuzzy and colorful, unclear but beautiful.

The chorus of birds sings around me. Woozles. Borgroves. Runcible. Versula. As the words worm through me and tell me stories of lands unlike mine I’m dazed with wonder. Tales of horned villains, talking bears, and flying broomsticks. I’m swept away by it all until I hear my mother’s voice in the hallway.

“We need to talk.”

Her voice sounds soft and I know she’s sorry for what happened earlier, but she’ll quickly return to anger if she finds all these birds in my room. I’m not sure what to do, but the birds seem to sense the danger and fly quickly into my open closet. I shut the door softly as my mother walks in. She looks at my ruffled blankets and at the closed closet door and frowns.

“What’s going on here?”

“Nothing.”

It’s absolutely not convincing, but surprisingly she lets it go. Smoothing the blankets on my bed she pats the spot beside her and I sit close enough our legs are touching. She’s got a new bandage on her wrist, covered in tiny dots of blood. She grabs my hands and squeezes them hard in hers.

“You don’t know the horrors of this world, and I’m glad for it. I don’t like being like this with you, but it’s my job to protect you. Please, please, forget about the shed and the birds. Okay? They are not for you and it will only lead to you getting hurt.”

“How?”

The word escapes before I can stop myself, but she doesn’t yell. She squeezes my hands harder and speaks in a low, sad tone.

“They will show you things you will want and can never have, my child. Those worlds are not for you and will only make you hate the one we live in. Forget the birds. Come and listen to music with me in the parlor. I’ve made hot tea and we can forget all this unpleasantness. Okay?”

I nod my head and, as she kisses my cheek, I look toward the closet and know the birds are waiting for me. For now, I must keep this power to myself, but someday I’ll be able to let the birds fly free and I’ll join them. We will travel to all the worlds together and maybe I’ll even convince my mother to join me.


Author’s note: This story began as a writing assignment meant to explore my own legacy of writing and how I came to be a writer. I had the idea of using birds to represent books and equating the act of writing to magic. Partway through the story, I got into my head and doubted the very premise of the idea. I was stalled out for weeks, but I finally pushed through and finished it. My dear editor friend said it reminds her of a Studio Ghibli film and I couldn’t think of a better compliment to receive. Let me know what you think and I hope you have a wonderful day.

#100DayProject: Watercolors-Week 2

“The purest and most thoughtful minds are those which love color the most.”
― John Ruskin, The Stones of Venice

Welcome to the second week of my watercolor #100DayProject. After some experimentation, I’ve settled into a comfortable morning rhythm of painting and journaling. It occurred to me this week how both serve the same purpose—release and freedom. Both activities are about letting go, self-discovery, and seeing where it takes me. Taken in this context, it’s impossible to do it wrong. What a wonderful thought!

Things I’ve learned this week:

  • Stop painting before everything turns brown
  • Wet-on-wet is very enjoyable, but I need to go slower
  • Trying to copy other paintings can be frustrating
  • My emotional state affects the color scheme
  • I have no idea what I’m doing and it’s totally okay

I’m still trying too hard to control the paint. I ripped up and threw away two paintings this week and started over. The need to be perfect is still very present and I’m trying really hard to separate the work from any kind of judgment. I remain, as always, a work in progress. Thank you for following along on my journey and for all the wonderful comments I received last week.


Here are my offerings for Week 2:

#1
lavender ladies
standing straight-backed and quite tall
do you ever fall?

#2
swirling galaxy
locked within my busy mind
yearning to be free

#3
what dark secrets hide
behind your bright red brick wall?
I want to see all

#4
happy little sun
shining brightly down on me
do you see me try?


52 Photo Challenge: Week 9-Patterns

“Humans are pattern-seeking story-telling animals, and we are quite adept at telling stories about patterns, whether they exist or not.” ―Michael Shermer

This week my assignment for the 52-week photo challenge was to capture something with patterns. I returned to the beautiful High-Hand Nursery in Loomis and had a wonderful time with my daughter looking for ways to explore the prompt. For the first time in weeks, I’m happy with how my images turned out.

I needed this win because I’ve been stuck in my writing. My old friend Imposter Syndrome has taken up residence near my laptop and he’s telling me all kinds of nonsense. The market is too saturated. You aren’t good enough. Dreams are for young people with natural talent. You are working this hard for nothing. He’s gotten into my head again, but I pushed through yesterday and almost completed the short story I’ve been stuck on. It’s not my best work, but I’ve spent far too long on it and I’m going to publish it in the next few days and move forward.

I’ve got a new poetry idea I’m really excited about, a series of poems actually, and I’ll be sharing more about this project later in the week. Thank you to everyone who supports me and my work here. I was very close to quitting last week, but your comments have kept me going. I’ll push through, I’ve got a lot more work to do.

Let me know which shot you think best uses the concept of patterns and which is your favorite. Have a wonderful week!


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#3

#4

#5

#6

#7

#8

#9

#10


  • Photos were taken with an Olympus OM-D and edited with ON1 Photo RAW
  • If you want to join the 52 Photo Challenge, you can find all the information at nicolesy.com

52 Photo Challenge
Week 1: Bokeh
Week 2: Silhouette
Week 3: Black and White
Week 4: Motion Blur
Week 5: Texture
Week 6: Framing
Week 7: Leading Lines
Week 8: Negative Space

Poetry: First Friend

We don’t have an origin
story, for we met before
memories form. Two little girls
living across a curved court

named after a man. Pigtailed
dancing dolls, we played through
seasons until one day you
moved and I learned heart-

break. Although I saw your
plane fly away, I looked
in all our hiding places
for you. I’ve never stopped

looking. Time has brought us
together over and over—but
we always lose each other
in the mess. Will this 

time be different? I need
it to be. You see,
I’m tired of playing pretend—
saying I’m okay when broken

bits of me want only
to be seen. You hugged
me tighter this time—do
you need me too? Can

we take off our masks
and find our old hiding
places again? Can we swim
together in secrets and show

each other the magical ways
we have survived? Grab my
hand yet again and let’s
run toward the setting sun

together.


*This was written after seeing my childhood friend at a funeral last weekend and never wanting to let her go. Thank you for making sure we made a date to get together. I can’t wait.

#100DayProject: Watercolors-Week 1

“Perfectionism is the voice of the oppressor, the enemy of the people. It will keep you insane your whole life.” -Anne Lamott

If you’ve been around my blog for a while, you may remember I started my photography journey this time last year by participating in the #100DayProject. It was a wonderful experience of growth and I appreciated how much feedback and advice I received throughout the process. I discovered photography was more than a passing hobby, it was something I love and will continue to do for the rest of my life.

When I saw it was time again for the #100DayProject, I did a lot of journaling about what I might do this year to grow as a creative. The idea of perfectionism kept coming up and my desire to think more out of the box. I’ve been exploring this idea of abstraction in my poetry, but I want to push myself further. As both my children did a lot of watercolor painting in their Waldorf education, and I’ve always admired how the colors blend across the paper, I decided to focus the next 100 days on exploring watercolors.

I’ve always been very critical of my lack of artistic skills. Embarrassed would probably be a more accurate word. Art, to my untrained eye, always appears to contain a fair amount of magic and natural ability I don’t possess. So, it was very important before starting this project to create some guidelines to work within. I’m not trying to learn skills or techniques, but rather to allow for exploration, stress relief, and self-expression. I’ve given myself a few guidelines:

  • be messy and imprecise
  • have fun with the process
  • don’t overthink
  • don’t plan
  • don’t judge the finished painting
  • be brave

This first week was challenging. I looked up images in books and online and when I tried to duplicate them found myself getting into the mindset of failure and comparison. It was only when I started painting my feelings and allowing myself to be silly, it started to feel more enjoyable. Each week I’ll share 3-4 paintings without commentary (other than perhaps this format of including a haiku). I hope you’ll enjoy watching me experiment with letting go.


Here are my offerings for Week 1:

#1
wiggly bright full moon
shining in a pale green sky
you grow lovely plants

#2
colors dance freely
across the watery page
revealing flowers

#3
hidden dark red sky
delicate flower bouquets
spring is almost here

#4
wavy broken lines
colorful light bright puzzle
what things do you see?


52 Photo Challenge: Week 8-Negative Space

“I sometimes think of people’s personalities as the negative space around their insecurities.” -Lindy West 

This week my assignment for the 52-week photo challenge was to capture something with negative space (also known as “copy space” in the commercial-photography industry). It’s a more minimalist style photo and allows space for advertising text to be added.

My first attempt was at our local Green Acres Nursery, but the plants were too close together and I couldn’t get enough space to create the effect I wanted. The last two photos below are the only ones I kept from that shoot. They don’t quite work for negative space, but I really liked how they turned out.

My second attempt was this morning in the rain. I drove around to the farms near my house and I captured these moody photos. I know #8 doesn’t work, but I wanted to include it anyway. Let me know which shot you think best uses the concept of negative space and which is your favorite. Thanks for supporting me!


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#2
#3

#4

#5

#6

#7

#8

#9 (This one is dedicated to Cori)

#10


  • Photos were taken with an Olympus OM-D and edited with ON1 Photo RAW
  • If you want to join the 52 Photo Challenge, you can find all the information at nicolesy.com

52 Photo Challenge
Week 1: Bokeh
Week 2: Silhouette
Week 3: Black and White
Week 4: Motion Blur
Week 5: Texture
Week 6: Framing
Week 7: Leading Lines

Poetry: Softness

my body does not understand
reacting with sharp vibrant stabs
singing fight or flight ballads
—do or die chorus numbers
where kids say teary goodbyes
under too-far-away stars
under wet weeping willow trees
under rich dark black soil
under sadness turned into madness
—my wounded heart finally stops

no, I tell the flowers
that’s not the real story
not yet anyway, not now
—curving pink petals nod agreement
where hummingbirds take small sips
under muted late February sun
under thick cotton candy clouds
under pale white peach blossoms
under folded tissue paper cranes
—my healing heart grows stronger

Photography: South Lake Tahoe

 “I travel not to go anywhere, but to go. I travel for travel’s sake. The great affair is to move.” – Robert Louis Stevenson

I was gifted an overnight trip to Tahoe with my daughter and her best friend. I didn’t know how badly I needed this break. It gave me the chance to get away from my chores, marvel at the beauty of the world, make up stories about monsters hiding in dark snow, and sing in the car at the top of my lungs.

While my life has been hard lately, it’s equally beautiful. It’s the dark bare trees standing up in a field of white. I’d like to share a few things with you.

A childhood friend died unexpectedly last week. Cori introduced me to Sweet Valley High books and Buffy the Vampire Slayer. I have fond memories of playing in her pool, doing runway shows in her hallway, and snuggling in blankets to watch movies. I’m devasted for the sister left behind as she’s now lost her father and both her older sisters. Why does tragedy strike some families more than others? It’s wildly unfair.

My daughter continues to struggle with her mental health. This week we had some of the hardest conversations I’ve had in my life, but we are moving forward. She’s getting stronger and bolder about her recovery. Healing isn’t linear and sometimes those steps back are necessary to take another leap forward.

My mother is moving more than 500 miles away in less than two weeks and I’m not ready for her to go. I’ll be helping her move and I know this is good for her, but I’m grieving the loss of being able to see her whenever I want. Super plus side, I’ll get to take photographs in Washington and I’ve heard it’s breathtaking.

I’ve been reading poetry monthly at a wonderfully inclusive and supportive bookstore called A Seat at the Table. They’ve offered to help me launch my book career by hosting a reading/book signing for my 52-short story collection in early May. I’ve got a lot of work to do before I’m ready, but it’s exciting and feels like purpose and joy.

I’ve not posted as much lately and I’m behind in reading my favorite bloggers, but I’m back at it today. Thanks to those who continue to root me on, your support means the world to me. Let me know what you think of these Tahoe photos and have a wonderful week!


  • Photos were taken with an Olympus OM-D and edited with ON1 Photo RAW

52 Photo Challenge: Week 7-Leading Lines

“Nature creates curved lines while humans create straight lines.” -Hideki Yukawa

This week my assignment for the 52-week photo challenge was to capture leading lines, which simply means looking for lines that lead your eye toward a certain direction in the photo. It was a fun assignment and although I think it would have been easier to do in a city setting, I’m overall happy with my images.

My daughter and I went to one of our favorite places, Effie Yeaw Nature Center, and met up with an old friend who happens to be a fantastic photographer. She gave me some excellent pointers and we had a wonderful time catching up and shooting together.

Let me know which shot you think best uses the concept of leading lines. I’ve numbered the photos again this week and I’ve included some fun extra images outside the assignment. Which is your favorite? Thanks for supporting me!


#1

#2

#3

#4

#5

#6

#7

#8

#9

#10

  • Photos were taken with an Olympus OM-D and edited with ON1 Photo RAW
  • If you want to join the 52 Photo Challenge, you can find all the information at nicolesy.com

52 Photo Challenge
Week 1: Bokeh
Week 2: Silhouette
Week 3: Black and White
Week 4: Motion Blur
Week 5: Texture
Week 6: Framing