The Cornfield | A Short Story

When the howling wind blows the cornstalks sideways and the air fills with the smell of ripe apples, Hazel brings up the conversation again. It’s not because she wants to fight, she doesn’t like conflict, but rather it has more to do with the way the leaves have lost their color and become crispy. It’s about acorns and pumpkins. Scarecrows and golden sunlight. Autumn makes her thoughtful.

“We could at least try it, Clyde. Don’t you trust our connection? I know we’d find each other again. I just know it.”

Turning away from the gaze of Hazel’s round, copper eyes, Clyde watches a flock of geese fly through a patch of fluffy white clouds and feels himself lifting off the ground to join them. He knows she’s never going to give up this notion of moving on, but he’s content where they are. What more could there be to discover? Adjusting his yellow bow tie he gives her his best smile and slips his arm around her corseted waist, pulling her toward him.

“Let’s talk about it later. Right now, let’s dance.”

“No, I don’t want to talk about it later. I want to talk about it now!”

Pushing back a bit too hard, Hazel floats across the field swept up in a swirling mass of orange and yellow leaves. She lets herself drift in circles until the wind deposits her beside the towering ancient oak leaning almost as far left as the slanted old barn. Clyde follows with his hands tucked into the pockets of his fine linen pants while chewing softly on the side of his cheek. He hates when she’s like this.

A pair of yellow-billed magpies hop from their nest as Hazel circles the tree looking for the carved heart of their youth. It’s below a dark, black knot and clear as ever since Clyde carved it deep into the hardwood. Tracing the C and H with her finger she feels tears forming in her eyes, but knows they will never fully form. Ghosts can’t cry.

“I want to carve something. I want to feel something solid in my hands again. I want to make mistakes, to hurt…to cry. I want to be…alive. Or something other than this…”

Clyde’s heard this before and hates how sad it makes Hazel, but he doesn’t want any of those things. To possibly struggle again feels pointless and frankly scary. They are happy living on these lands, watching the seasons pass through, and dancing together. There’s nothing else he wants or desires. He wishes it could be enough for her. He wishes he could be enough for her.

Taking a step closer, he wills the love inside his body to radiate from him. He imagines it as strands of wispy threads weaving between them, gently binding, creating security and loving warmth. If only he could create enough strands to make her stop bringing this up and simply be content in his arms. He starts to speak, low and soft.

“Remember the winter when we found the den of baby foxes. We watched them grow from being unable to lift their heads to frolicking in the fresh powdery snow, chasing and barking at each other. Your golden hair glistened with tiny perfect snowflakes and you looked like an angel…”

Reaching out to touch her, Hazel slaps his hand away. It makes a terribly loud whooshing sound startling several squirrels who run up the tree, flicking their bushy tails while squeaking and barking with frenzied panic. Although animals can’t see them, most can sense them. Hazel frowns.

“Stop it, Clyde. This has nothing to do with not loving our life here together and everything to do with being alive. That very same winter we watched helplessly as a baby deer lost its mother and froze to death. We tried so hard to help, but we couldn’t do a damn thing. We aren’t anything here. We are stuck and we feel nothing. Nothing!”

“That’s not true! We can feel things. We are alive to each other. I can feel you in my arms and kiss you with my lips. Why must you always wish for something more? Our life together is magic. It’s a gift! Why can’t you see that?”

Hazel doesn’t answer, but instead circles up into the sky as high as she can until she reaches the border wall of thick cold air. They are prisoners here in this place, locked within the boundaries of these lands, and although Clyde doesn’t seem to mind, she does. Her heart wants more. Craves more. It has nothing to do with the love between them and everything to do with wanting to know if this is all there is.

Pressing her palms softly against the wall of air Hazel can feel the thrumming heartbeat on the other side. Life lies beyond this and all she has to do is slip through the cracks. The golden light calls to her. It always does. It has to mean something.


Clyde’s beside her now his hands outstretched toward hers. There’s pain behind his blue eyes and she knows he doesn’t understand. They’ve had this fight hundreds, if not thousands, of times. He wants the here and now—the them that is guaranteed. She wants to know what else there is.

“Hazel…let’s go to the shimmering river and dance with the dragonflies. We’ll kick at the water with our toes until the moon comes out to yell at us. Please, Hazel? Come with me.”

He extends his hands again and Hazel can see the desperate love there—a kind of longing she used to crave but now finds suffocating. Her hands ball into fists and her cheeks burn.

“Why can’t you see this isn’t about you? Not everything is about you! I’m tired of you!”

Her voice comes out as an angry slip of misty words, almost a violent hiss. Clyde says nothing but she can see the pain light up as if she’d thrown a match in his face. She watches it twist and burn across his soft features until she can’t take it anymore. Tumbling away from him she curses the autumn. Why must it stir her up so? Why must it come between them like this? Why does the light call to her and not him?

Landing in the overgrown apple orchard, she looks around for Clyde but doesn’t see him. After nearly 100 years together, she understands when the line has been crossed and decides he needs space. Lifting the left side of her long blue skirt, she walks ladylike around the property weaving from one dusty path to the next. Several large crows call to her and she wonders, not for the first time, if perhaps they can see her.

Without intending to, Hazel finds herself at the scarecrow in the center of the farm. It grins at her with jagged metal teeth and large black button eyes. There are lumpy dark brown mushrooms growing in the folds of its neck and a wooden heart with sprockets and gears peeking out from a tattered, plaid wool jacket. She fears this not-real man created by some strange farmer a few years back and stares wide-eyed at its chest, frightened that it will begin ticking at any moment. She decides it’s the right place to sit when you feel bad about hurting the person you love. It’s a place of punishment.

A tiny field mouse inches forward to scrounge through rotting corn cobs for any edible morsels, its wee nose twitching as it keeps an eye out for danger. Such a helpless thing in a big field full of owls, foxes, snakes, hawks, and cats. Any second it could be ousted or eaten and yet it continues to try anyway. It wants to live.

Closing her eyes, Hazel thinks about how much she was like this mouse as a child. Scurrying around trying to hide and survive in a world where big things were always trying to hurt her. It was Clyde who saved her and broke her free. It’s always been, Clyde.

She’d run away from home after receiving yet another “hard lesson” from her father, which in this instance looked like hitting her with a leather belt 15 times across her bare back while her mother watched. It wasn’t really about anything she’d done, because she didn’t break any rules, but rather a way to punish her mother for looking at a man on the road home from church. Hazel’s mother never showed any emotion in her bloodshot pale eyes but it didn’t matter. He hit them both anyway.

Hazel endured it as best she could, gritting her teeth and trying to imagine herself flying away, and as soon as he finished she ran through the forest behind her house to cry alone at the river. Clyde found her. With his bright, curly red hair and intense blue eyes. Hazel thought he was a fairy and blurted it out. He didn’t laugh. Instead, he sat beside her and searched through the rocks until he found a smooth, black stone. He handed it to her and spoke softly while staring at the water.

“Are you okay?”

Others had said those three words to her before; teachers at school, the pastor at church, and kids at the park. It wasn’t the words so much as the way he said them. No pity. No blame. He wanted the truth and she gave it to him. All of it. When she finished he took her hand.

“It’s going to be okay.”

She followed him home, an apothecary shop in the middle of town with towering shelves of multicolored bottles. There were too many smells to distinguish them all, but she found the mix of them pleasant. His dad gave her medicine to calm her, numbed the skin, and patched up her wounds. Clyde held her hand the entire time and insisted she move in with them.

“I’m only 15. There’s no way I can just not go home.”

“Stay and see. Maybe it will be okay.”

It was. Nobody came looking for Hazel. A few years later Clyde proposed and they bought a farm in the middle of the woods—their sanctuary. They danced, had a family, and farmed the land selling pumpkins in the fall, pine wreaths in the winter, and flower bouquets the rest of the year. It was a happy life. A long life. A good life.


Opening her eyes she finds Clyde sitting beside her with his hands folded in his lap. He’s staring at the ground but when he feels her looking at him he turns and gives her a half-smile. She can see the dimpled face of the boy she met beside the river as well as the wrinkled one who died beside her during the big storm. He’s her everything.

“I’m sorry.”

They say it at the same time and giggle. Clyde shakes his head and reaches for her hand. She lets him take it.

“I’ve been wrong to keep us here. You are right. There might be more for us beyond this place. I’m scared of losing you, but I do trust our bond. We will find each other again.”

Hope like a thousand breezy days rushes through Hazel. She feels it as tingly pinpricks of light on her skin, as the fluttering of her long hair in the wind, and as beating inside where her heart long ago stopped. Their life together, alive and after, plays before her eyes as they quietly stare at each other for several minutes. When she speaks her voice comes out as a breathy whisper.

“Are you saying what I think you’re saying?”

Clyde stands and pulls her into a warm embrace, their bodies fitting perfectly together as they always have. Dipping her low in his arms he kisses her, and when their lips touch it’s as if all the kisses of 100 years together erupt between them. Crows and ravens for miles feel the vibration and rush into the air filling the darkening sky with their triumphant caws.

“One more dance?”

Rising high into the air, Clyde spins her through the cloudy blue sky. The light shines behind both their eyes, memories flashing as colorful as spring flowers, deep as winter’s darkness, hot as summer’s sun, and as brisk as autumn’s breezes. With a final embrace, they interlock their fingers and press together through the wall of air and into the golden light.

Author’s note: Inspired by the season and recent conversations with my teenage daughter, I present this ghost love story about finding peace with moving on. There’s beauty to be found in all stages of life and all seasons. Our family seems to be in a rough patch and writing this story felt slightly cathartic. I’d love to hear what you think in the comments below and have a wonderful week.

Short Story Challenge | Week 41

Each week the short stories are based on a prompt from the book “Write the Story” by Piccadilly, Inc. This week’s prompt was to write a story where tumultuous soulmates are on opposing sides of a conflict. We had to include the words apothecary, bow tie, ladylike, sprocket, mushroom, scrounge, frenzy, match, oust, and prisoner.

Write With Us

Prompt: A good reason to be scared of the dark
Include: a killer whale, depraved, janitor, bargain, dye, fool, heap, kick, praise, quilt

My 52-Week Challenge Journey

The Water | A Short Story

Leo stumbles from bed on his first morning in the old farmhouse and finds the porcelain bathroom sinks, the claw-footed bathtub, and the toilets filled with water up to the brim. It feels as if the house has swelled during the night and absorbed all the water it could find. It makes him uneasy.

He wanders into the kitchen and plunges his hand into the sink. The icy cold water stings like bees attacking his skin and he fights the urge to yank it out. He fumbles for a minute until he finds the stopper, but when he pulls it up the water stays put as if held in place by an invisible hand. He jumps back, splashing the frosty water on his bare chest and belly. His uneasiness grows.

Leo gets dressed in jeans and a t-shirt, climbs into his new truck, and makes the thirty-minute drive into the town of Knotts. It’s the kind of small town she always wanted to live in and he hopes it will be the perfect place for his recovery. It’s a quaint, quirky place his truck’s GPS doesn’t recognize; the line on the digital map looks like he’s driven into the middle of a field.

The town consists of a pair of long brick buildings facing each other across a two-lane road, a curving white archway with a flashing red light, and a three-pump gas station. Leo parks in the empty gravel lot behind the building which houses the bank, post office, and general store. He finds all three places closed. The red light reflecting off the dark windows feels ominous and he crosses the empty street at almost a run.

He walks past a rustic-looking bar, the smell of smoke and sour beer lingers around the doorway and he can see a ratty-looking pool table through the dark window. A feed store sits beside it, and a line of hay leads from the double doors to the street. Both are closed, but the cafe has a flashing open sign and Leo darts inside.

A metallic bird sound calls out as he opens the door and the owner appears from the back room singing a greeting in a high, loud voice.

“Welcome to Birdwatch Cafe,” she sings. “Where the early bird catches the worm.”

She giggles. Ornate metal birdcages with brightly colored stuffed birds line the walls and Leo feels their glassy black eyes watching him as he approaches the wide orange counter. The sound of tango music blares from a small neon green boombox he’s sure dates back to the 1980s.

The plump woman smiles at him with a curved nose and small eyes, a bit bird-like. Dressed in flowing colorful clothing, she wears a large peacock clip in her red curly hair and thick blue eyeshadow. He orders a black coffee and a fresh blueberry muffin and sits down at a round purple table near the front window. She plants herself across from him and leans forward.

“You’re new around here,” she says.

It’s not a question and he reads enough mystery novels to know small towns in the midwest are filled with gossipy folks like her. He smiles and tries his best to answer her questions in a way she won’t be likely to exaggerate when recounting it later. She fires them off, one after the other without much pause.

He moved from San Francisco into the old farmhouse on Route 22 to work on a novel. No, he’s not published anything she would have read. Yes, he found the place easily enough. No, he doesn’t plan on getting any animals or farming the land.

“Just you up there all alone, huh?”

She leans further forward with this question and presses the sides of her arms against her breasts to make them swell out the top of her now slightly pulled-down hot pink sweater. He can see her leopard print bra. Her question, a missile launched across the bow of the ship to signal her intent and to stake her claim, makes his cheeks burn and he looks at the floor.

“Yeah,” he says.

He considers lying or telling her about Cecilia, but instead, he stands, wipes crumbs off his pants, and tries to maneuver around her to the front door. She stands and faces him, and he feels obligated to speak.

“Do you know when the general store opens?” he asks.

“Jim should be there now,” she says. “You need to fix somethin’? Everything okay with the house?”

The way she looks at him implies more than a question, it’s as if she knows something about the water. He wants to ask her about it, but he’s anxious to be free of her piercing eyes and prying questions. She’s standing so close he can see freckles on her nose.

“No,” he says. “I just want to look around.”

He inches around her, but she sidesteps him so they remain facing each other.  Smiling, she pulls him into her, hugging his stiff body, his arms remaining fastened at his sides. She smells of baked goods and loose-leaf tea. The silent hug lasts forever, and when she releases him he staggers back.

“We are huggers ‘round here,” she says.

“Okay,” he says.

“Don’t be a stranger, now.”

She winks and his face flushes red, as red as the blinking light in the center of the road. He steps outside and wishes the weather was either hot or cold so his burning cheeks would make sense. There’s nobody on the street, but when he starts to cross a large man comes out of the store and leans against the doorframe.

The man seems to grow and grow as Leo gets closer until he’s looming in front of him, blocking the entire doorway. He’s a grizzly bear of a man, shockingly tall and wide-shouldered with unkempt dark brown hair and a thick beard obscuring all but his broad nose and his deep brown eyes. Without a word, he turns and disappears into the store with a sort of lumbering, limping walk.

Leo follows him inside and finds the store well-lit and crammed full of stuff. It seems determined to be the very definition of diversified goods. Shelves upon shelves lay packed with hardware, hunting gear, medicine, groceries, clothing, and small electronics. He’s surprised so much fits into such a small space. Leo finds the plungers and stands in front of them with his hands in his pockets.

“Can I help ya, fella?” Jim says.

Leo jumps and faces him. He feels like a startled rabbit and stammers a minute before finding his voice.

“I’ve got a problem with water,” he says.

“The old homestead off Route 22, eh?”

“Yeah…how did you know?”

“Follow me.”

He scuffs down the aisle, his left foot slightly deformed and tilted inward. When the man reaches the front counter he lowers himself onto a wooden stool with a gruff grunt.

“The name’s Jim,” he says. “But I reckon Tami told ya that. She loves to talk.”

Leo nods.

“There’s nothin’ wrong with the plumbing at the house boy,” he says. “I fixed it myself.”

Leo isn’t sure if he should tell him about all the water, but Jim continues before he can.

“I can’t tell ya why things happen there, they just do. You got to learn to live with it…” his voice trails off. He looks hard at Leo who takes a step back. “Or not. It’s your choice.”

Leo grabs a package of balloons and some gum by the register, pretending they are what he came for. Jim raises his eyebrows and smiles.

“On the house,” he says.


Leo shakes his head all the way to his truck, trying to rid himself of the feelings settling there. He blares 50s music and drives with his windows down singing along to “Blue Suede Shoes” and “Long Tall Sally.” When he arrives back at the farmhouse, the water is gone. Very well, he thinks. He sets to work unpacking and cleaning, determined to not let the water enter his mind again.

He’s unsuccessful. Leo thinks about the water all day. When he sits down to work on his novel he keeps returning to water; flowing prose spills from his fingertips and his main character finds himself floating down the river, dreaming of the ocean, and drinking gallons of water. He finally snaps his laptop shut and wanders his property until dark, looking for a creek or river. He finds neither.

Before bed Leo checks each faucet, turning them on and then off as tight as he can. Under layers of blankets in the cold house, he dreams of her. A mixture of truth and fiction; he dreams of the rocky cliff, the horrible roaring waters below, of her car falling and falling, of her hands, clawing and clawing, of her last gasping breaths. Sharks tear the car to bits and feast on her body. He wakes in tears and cries out into the night.

“CiCi! Oh, CiCi! I’m so sorry. I’m so so sorry.”

She doesn’t respond. She never does. 

He rolls onto his side and his brain does its thing; spirling thoughts tumbling one after another, a terrible snowball effect of grief and regret. He should have gone to her sister’s birthday party with her. She hated driving at night. He wanted to work on his novel and she didn’t hold it against him. She never did. She encouraged him and kissed his head. She believed in him. He didn’t write. He’d spent the night staring at the blank screen, reading poetry blogs, then writing and rewriting the same sentence over and over. The words didn’t come. He couldn’t make them.

The driver of the semi-truck had been on the road for two days without stopping, trying to earn extra money to pay for his daughter’s wedding. He fell asleep, crashed into her tiny Prius, and pushed it off the cliff and into the sea. If he had been at the party they would have left earlier or later. She’d still be here. He didn’t even write.

His Cecilia. His beautiful, young wife. Gone. He wishes they’d have died together. The grief gnaws at his insides and he pulls the blankets over his head to try and stop the thoughts and the horrible lingering images from his nightmares. It doesn’t work. The knife in his gut twists and twists.

He rushes from bed to puke in the toilet—it’s full of water, and so is the sink, the bathtub, and the cup he’d used to rinse out his mouth before bed. He rushes out the back door and pukes into a hydrangea bush. He drops to his knees and sobs, the big purple flowers watch him, glittery flecks of moonlight reflecting off his sickness.

When he can stand, he walks outside in his pajama and the cold night air makes him shiver. It’s been two years since her death, and yet it feels like two minutes. The grief feels as thick as ever. His therapist told him he needed a change of scenery and to start writing again, the project she believed in. He would dedicate his book to her, but first, he has to write it. He has to write the words stuck behind the grief, or maybe tangled up in it. He’s not sure he can.

Returning to the house he drapes a blanket around his shoulders and walks from room to room looking at the water, searching it for signs of CiCi’s face, for some sign she’s here with him. He wants so much to believe she’s here, but he feels nothing of her. It’s just water. She’s gone.

The next few days at the farmhouse were more or less the same, but eventually, Leo finds his own rhythm. Coffee and watering the flowers in the morning. Writing, or attempting to, from breakfast to late lunch. A long walk around the wild property in the early evening, followed by reading and a light dinner beside the fireplace until bedtime. Each night he crawls into bed and the nightmares come and each morning he wanders the house looking at the water.

Leo begins to leave out bowls, vases, and cups to test if they will be filled in the morning. They always are. No matter where he hides them or how small, come morning any empty vessel is filled to the brim with icy cold water. He vacillates between amusement and fear of the water, or more precisely, who gathers the water. It’s not his CiCi, but it is someone.

Three months after arriving, having made little progress on his now water-themed novel, Leo decides to pretend the water bringer is CiCi. He begins talking to her out loud.

“Hey CiCi, how’s it going? I can’t remember, do you like peach jam?”

It’s weird at first, his voice echoing in the empty rooms. However, the more he does it, the easier and more enjoyable it becomes. Soon it’s as if she’s with him all the time, beside him as he walks through his day. He narrates his daily tasks to her, talks out plot ideas for his book, and reads to her each night before bed. He picks her flowers from the garden and she fills the vases at night with fresh water.

He knows it’s weird, but he feels comfortable with his pretend CiCi, and she seems to feel the same. Sometimes he can feel her near him; a brush of air near his ear or the lingering smell of fresh lemons. It’s strange and soothing.

A year passes and he finishes his novel. He lights a roaring fire, drinks a bottle of wine, and reads it out loud in one sitting. It takes all night. He feels as drained and full as he can ever remember feeling in his life. 

He curls up on the floor and feels a shape beside him, a hand touching his cheek. He wants to recoil, but he doesn’t. He sits up and pulls the empty air in front of him to his chest, embraces it, and let’s go. Tears fill his eyes.

“It’s time for you to move on, CiCi. You don’t belong here. I loved our time together, but you have to go. It’s okay. I’ll be okay. You deserve to find happiness away from here. Go, sweet CiCi. Go.”

The words feel as if they’ve been pushed through him by some divine hand, soothing words of love speaking comfort to them both. A sense of calm surrounds him and he lays down and falls instantly asleep on the rug in front of the fire. When his dreams come, they are lovely.


Lucille doesn’t know why he loves her. He’d arrived one day and, unlike the others before him, he didn’t leave. He calls her CiCi, the name her father called her. She loves him.

She risked touching him tonight and he didn’t recoil, but it was the words he spoke she felt seeping into her body. She felt them like cool liquid spilling down her throat and she smiled.

She’d been thirsty for a long time. A hundred years maybe. The fever had ripped at her, burning her from the inside, and she couldn’t get enough to drink. Gallons of water sloshed around inside her, but nothing stopped the fire and the burning. Nothing until his words.

A brilliant white light fills the room and Lucille steps toward it without a backward glance.

Author’s note: I’m not one for ghost stories. I’m a scaredy-cat and I stray away from books, movies, or television shows which give my brain fresh imagery for nightmares. I made an exception with the Netflix shows “The Haunting of Hill House” and “The Haunting of Bly Manor.” Both are phenomenal and serve as my inspiration for this week’s story. I hope I didn’t borrow too much of the imagery from either, and that you enjoyed meeting Leo and Lucille.

Short Story Challenge | Week 10

Each week the short stories are based on a prompt from the book “Write the Story” by Piccadilly, Inc. This week’s prompt was to write a ghost story. We had to include the words tango, diversify, blog, invisible, missile, glitter, scuff, balloon, birdcage, and grizzly bear.

Write With Us

Prompt: The main character thinks he or she is about to get fired
Include: magazine, blow-dryer, congeal, bluebell, cummerbund, wheelie bag, pastels, cheeseburger, binding, and science

My 52-Week Challenge Journey