Photography: Vintage Vegas

These were taken at Cornish Pasty, Red Rock Canyon overlook, and near Fremont Street. I wanted these to look out of time, so I focused on a different color palette using a vintage preset as a launching place. I left the grain on these, and love how they turned out.

Let me know what you think and if you have a favorite.


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  • These were taken with my Olympus E-M1 MarkII, 12-50mm lens.

Photography: Gritty Vegas

The last few weeks I was in Vegas with my daughter and her best friend house-sitting. I’ve been doing a lot of polished portraits lately, so I used this as an excuse to play with a different style of photography. For these, I really embraced grain as it seems to fit the grittiness of the city. I tried to focus more on composition and on catching interesting moments. These photos are from Fremont Street and edited to give them a more documentary feel.

How did I do?


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  • These were taken with my Olympus E-M1 MarkII, 12-50mm lens.

Photography: #100DayProject-Recap


The #100DayProject ended on June 2nd. It was a wild, exhausting, fulfilling, and beautiful experience. Here’s my final images and a brief recap.

First, the numbers: I delivered 20 full galleries to photography clients, each with an average of 100 photos. I don’t have a count on total number of photos taken (that number would be embarrassing), but I edited 3,384 photos. That’s a lot of practice!

My biggest take aways:

  • Storytelling behind the lens is beautiful, and I love it more and more every day.
  • I really need a camera with a bigger sensor so I can capture low light easier.
  • Editing and color theory are so interesting, and I have a lot more to learn.
  • Documentary-style photography is my whole heart.
  • This can become a second career for me.
  • I can push through even on hard days.
  • Challenges work for me.

Not all of these are revelations, or even surprising, but they all give me information which can help shape my path forward. Let me know what you think of these images, if you have a favorite, and if you see improvement.

Thanks for following along!

If you missed the earlier posts and want to compare:


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  • These were taken with my Olympus E-M1 MarkII, using various lenses and edited with Lightroom Classic.

What’s next for me?

I’ve got several more photo shoots lined up in the next few weeks, and then I’m taking a brief break to do a 100 day poetry project. My heart still wants to finish my book dedicated to Neil, and so, I’ll give myself that challenge. I’ll begin on July 1st and end on October 9th. My goal is to have the book published by Christmas. I hope you all will indulge me sharing lots of poems starting in July, with a smattering of photography as well.

Here’s hoping I can find balance and keep up my motivation!

Photography: Vegas, Baby!


Last week, I went to Vegas to visit my dear friend and see New Kids on the Block. I figured it’d be cheesy and kind of goofy, which it totally was, but I also found myself singing along really loudly to my favorite songs. Seeing Joey McIntyre, whose poster was on my childhood bedroom wall, felt like a trip back in time. I was my old preteen self again, hanging with the same friend from all those years ago. Screaming. Singing. Dancing. Turning fifty next year, I suppose I needed to reaffirm that I am still the same person I’ve always been.

I’ll show you a few pictures from that night, but most of these shots are from my solo walk down the Vegas strip. The biggest surprise when I started editing was how much I deviated from my usual shots. I normally take a lot of close-up shots, paying attention to small details. It seems Vegas was too expansive for that, and most of these are street scenes. Or maybe I was just too enamored with the enormity of things. I’m happily surprised the bright light didn’t ruin them. What do you think?

Let me know if you have a favorite, and tomorrow I’ll be sharing the portrait shots I took of my friend in Red Rock Canyon.

So, let’s walk the strip together. Keeping these in order of what I saw. Let’s go!


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  • The photos above were taken with my Olympus E-M1 MarkII, using a 14-150mm lens and edited with Lightroom Classic. The photos below were taken on my iPhone at the MGM.

Pretend Venice is the place for me

vegas2Sitting alone, I sip a warm foamy cappuccino and read about feminism and race in America. Occasionally, a slender gondola slides into the canal beside me, the rich operatic voice of its striped-shirt operator tenderly serenading a couple. I smile in appreciation, as he takes one hand off the long wooden oar to tip his straw hat in my direction.

This is how I do Vegas.

I’ve never been here before, but at nearly 40 years of age, I have some idea of how this trip is supposed to go. I’ve seen the movies. There should be debauchery, nudity and mass alcohol consumption followed by a musical montage of me in a strapless black dress with a heavy diamond necklace kissing the dice of some hot millionaire who later loses everything by betting on 21 red. Oh, and gangsters with pinstripe suits with piles of cocaine. And tigers. And an elaborate heist set to a jazzy soundtrack with dreamy Clooney-types.

OK, maybe Hollywood Vegas isn’t the real deal, but by all accounts, I’m an epic disappointment in the revelry department.

I’m tempted to blame this failure on my age, but the truth is, Vegas is a super sized let-down when you are alone.

Bachelor/bachelorette parties, Elvis weddings, trips with friends and maybe romantic second honeymoons, sure. But touring around solo, not so much.

So, what was I doing in the Sin City on my own? My husband was here on business, so for the price of a cheap plane ticket, I could escape the dishes, laundry and carpool for a few days.

Don’t mind if I do.

However, it meant either sitting all day in my hotel room waiting for hubby to get out of his meetings, or exploring the GlitterLand alone.

Since I see myself as adventurous, I step into my cons and some butter-soft LuLaRoe leggings, high five myself for being so grown up, and head out to explore.

Vegas did not disappoint in the eye candy department; a massive dragon made of tiny red and gold lights, roman statues, Parisian murals, Elvis and “Hangover” look-alikes, bright neon lights, Harry Potter-like false ceilings, sparkling chandeliers, groups of tourists snapping endless selfies, mascot Pikachu and Hello Kitty holding hands, a rooster statue roughly the size of my house, curving escalators and endless confusing hallways.

Vegas also didn’t disappoint in the depressing department; smoke-filled rooms filled with vitamin D deprived gamblers, an unhinged homeless man loudly declaring the end of times, tiny pictures of naked woman littering the few patches of bare earth, stumbling drunks at 10 a.m. puking outside the Denny’s, aggressive men handing out pamphlets for “free shows” and the creepy Freddy Krueger who thought I’d enjoy him jumping out at me.

All this by 1 p.m.

I was exhausted by the sheer bigness of it all. I longed for when I used to drink, so I could numb it all down a bit. Instead, I decide to get some gelato and head back for MTV or “The Golden Girls” in the safety of my hotel bed.

But first I pass the homeless teenager with the padlock through his nose, lying in filth, drawing with a pen on small squares of cardboard images of such beauty I couldn’t look. His extremes terrified me.

The elderly man playing a violin while breathing through some clear tube, creating a kind of haunting sound, which I felt inside my bones.

A woman, who looked around my age, laying under some bushes with a blanket of plastic bags covering her mostly naked sore-covered body. The filth making me recoil with embarrassed pain.

The contrasts were so bright, so vivid, I became uneasy on my feet. The splendor and the filth. The strong and the weak. The privileged and the oppressed.

I wanted to permanently close my eyes.

“Somebody help me!”

A young woman, maybe early 20s, runs by me with a small boy, maybe 4. She is crying and telling the now gathering crowd of onlookers, she’s being followed by her ex-husband who is going to kill her. She points across the street, but I can’t make out anyone looking our direction.

“I have scars all over my body,” she cries. “He has been beating me for 10 years. I can’t get away from him.”

She takes out a cellphone and calls the police, giving them a report number and saying she needs help.

“I just need $200 for a bus ticket,” she says through tears.

“I just want to have fun,” the boy says.

The crowd slowly slinks away. What is wrong with these people? I stand next to her smiling at her boy and wishing I had snacks in my purse. I always have snacks. Shame on me.

“I’ll stay with you until the police come,” I say. “We will figure this out together.”

She looks around uneasy.

“Umm…,” she says. “I just need $60 and I can leave this town.”

“I just want to have fun,” the boy says again.

“Come with me inside the casino,” I say to her. “I’ll talk to the security guards and we will get you help. We can call a shelter and get you off the street right now.”

“I’m not allowed in there,” she says, eyeing the security guards I now see walking toward us.

I blink at her and finally see the scam. I see it as plainly as all the other people who already walked away. She grows uncomfortable and tells me to please go. I want to ask her why she is doing this. Maybe she isn’t running from an ex-husband who beats her, but clearly there is some reason she is on the street with a small kid trying to scam people for money.

My heart hurt.

I felt wounded.

Small.

I hug her, awkwardly, and tell her I wish her well.

The boy repeats his line a third time.

“I just want to have fun.”

“Take care kiddo,” I say and walk away.

Vegas is too much alone.

That night, my husband and I see a show about star-crossed lovers while snuggled together on a couch. I sink into him and allow myself to feel protected and safe. Privileged. Blessed.

I still see myself as an explorer, but in Vegas, I’ll stick to the fake blue skies of Pretend Venice with my overly priced cappuccino.

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