Poetry: Free Mom Hugs

Past

would you have trusted me more
if I’d known about fingertip sparks
and fluttering hearts?

or if I’d really looked at
tiny pencil drawings on matchboxes and
folded paper napkins?

you’d pass notes I didn’t understand—
messages scrawled on scraps of paper
palm to palm

rainbows hung around your pretty neck;
delicate lovely things refracting light into
everything you did

you left without goodbyes—fleeing rejections 
spurred by fevered religious hate disguised
as family love

you drew naked ladies in Paris
seeing worldly wonders dreaming nightly with
fingertips stained black

floating down stone steps in tailored 
suits you charmed everyone with your
soft blue eyes

returning home sick, thick sketchbook under
heavy arms we talked about everything
but the truth

you left without me seeing you
kiss your lovers, pink-skinned blushing
on ornate bridges

or watching you dance under moonlit
skies with flowers tucked into your
fluffy blonde hair

Present

driving nowhere we sing with windows
down, wind blowing tangles into your
fluffy red hair

I sense something brewing behind quiet
lips, fingers fidget with your many
bright silver rings

with a trembling voice, you say
you like girls—scared of rejection
bare legs shake

you’ve known since kindergarten, but it
wasn’t something you wanted to explore
or talk about

honored, I listen to your deeply
held sacred truths; as you discover 
who you are

my old friend breathes words of 
comfort through me helping me ease
your coming out

grabbing soft hands tightly, I squeeze
three times letting you know my
love remains unchanged

balancing stone words we build together
walls to fight against those who
would seek destruction

inked drawings, musical explorations, the Heartstopper
you share everything with me, showing
me the way

crying at pride, past present swirl
promising to do better armed with
free mom hugs

Street Art in Sacramento, CA

In honor of Pride Month, I dedicate this poem to a dear high school friend who died of AIDS and my beautiful daughter who trusts me with her truth. I reference the show “Heartstopper” on Netflix and can’t recommend it enough for its sweet portrayal of love. Happy Pride Month!

Poetry: The Midnight Grater

unable to move I gasp, turning
tumbling down rabbit holes meant
to not be remembered at dawn

Pulling up behind my darkened house in their 
shiny black El Camino, bass booming—a thunderous
storm descends upon my unconscious fragile form. I
don’t hear their footsteps as they scribble scramble 
through the muddy murky darkness toward sleeping me.

wondrous whispering willows lean in to 
reveal secret truths, sacred words 
hidden behind the cloudy half-lit moon

Steadfast friends, The Sand Man and The Grater
share midnight missions of messy madness. Sneaking in
at night’s exact middle, they come silently ruffling
my soft, warm blankets. Unknowing, I am fully
helpless to the whims of these nighttime lurkers.

when did missing sunshine turn my
insides colors, making a mockery 
melody moment within my comfy covers

They simply divide and conquer, each moving around
my room to deliver their own precise brands 
of nightly justice. The Sand Man sprinkling dream 
dust into closed eyes, invoking silky soft dreams 
of rest, while his counterpart sharpens his claws.

don’t be afraid little ones they 
say as monsters lurk under 
billowing bed sheets with cutting wits

I’ve never seen The Grater’s form, but I’ve 
felt his silver touch as he comes to 
dance with my worries. It seems rather unfair 
he’s allowed access when the doors and windows 
are so carefully locked with shiny brass deadbolts.

nothing blends into something, twist the 
knob, turn the handle, flip 
switch after switch without the keys

He presses his shiny sharp grates into whatever
skin he can reach, slipping under the quilted comforter
held tight by my sweaty fists. The words
come with him—frightening little whispery repetitions singing
songs of my insecurities/fears with feverish unrelenting cruelty.

he’s never coming back to you
you’ll be left alone with
dark silent shadows under creaking floorboards

The Tooth Fairy has seen his lumbering shape
peeking out from the sheets—flashing silver eyes
and sharpened talons. She folds her transparent wings 
tightly together, snatching at long ago lost baby
teeth—forever forgetting her pouch of golden coins.

shivering, shaking, my body fights back
but movements do nothing to
protect openings—internal portals of pain

Heaviness, his tell-tale calling card, will linger 
around me when I finally fully wake from 
the night. Throwing off blankets, I yawn as 
the echoes of his work stick tight on
red, raw skin. Failure feels immediate and imminent.

tomorrow always comes without command or 
permission, blasting hazy new thoughts
refracted backward, inward, outward toward light

Breath deeply. Stretch. I mustn’t stay still for 
the poison will set and I’ll stay in 
bed. Fight to the shower to scrub the 
sticky words off with fragrant suds, washing his 
work down silver drains back to the darkness.

shake awake fingers, dance to life 
toes, and say farewell to 
nightmares until fractured, the moonlight returns

Poetry: Saying Goodbye

The Waldorf school my daughter graduated from last week names each class after a tree. That tree becomes the class name, a symbol to rally the class together and form them into a cohesive unit. I wrote this poem to honor her teacher and the Linden tree class. The image was drawn on the chalkboard by her lovely teacher on their very first day together. I hope you enjoy it.


Under the Linden Tree

I. Branches and Leaves

Swept forth into the strong branches 
of the Linden tree, you call out “look at me”
and “it’s not fair” straining to be heard among 
the others. Within your fellow heart-shaped
leaves you found symmetry, serrated edges—your
pointed tips sharpened by your proximity to 
magic.

Noisy bees circled, drawn by your
sweetness, your softness transformed by 
storms into hardened beauty carved into 
any form you like. Tilia, basswood, lime—
your names ring out like justice and peace
dancing around the base of graceful towering
magic.

Seasons danced happily through your 
green leaves, braced together and held firm
by the juggling trunk’s deep roots far deeper
than any tempest could shake. Tiny creamy 
yellow flowers burst forth in bundles, hanging 
tight to the tree with ambrosial scented, delicate
magic.

Youth green fullness, brash and vividly bold,
gave way to golden autumn’s crisp firmness
curled tight together clinging on for one more
precious moment. Yet, breezes come to transform
one into many, flying on fitted spiraling wings from
your fertile orchard, singing the forever song of Linden
magic.

II. Trunk

Blown into an orchard, banded cord thick with
butterflies, steady roots plant deep in slippery soil 
ripe with crawling, noisy seekers crying out with
“whys” and “how comes.” Beneath the Linden
branches the red-winged cardinal’s two-part whistle 
sings of beginnings, suns, moons—ancient woody 
magic.

Gathered together under loosely woven branches
communing and feasting wildness transforms into 
dancing movement. Light streaks through limbs to
cover crowns as Jack Frost frolics with snowflakes as
hands, melting hardness into puddles of kindred
kindness. Leafy bunches become conical, balanced
magic.

Ridged, furrowed scaly bark grows and smooths  
until shining with etched runes it reaches across
fast-moving water to capture sacred geometric
truths within bright colored folds. Bears prowl 
near, scratching fears, stretching up toward 
cascading waters, ravens, dragons, stones–Earth
magic.

Winds blow birds nests nestled into grooves worn 
smooth by patient hands. Across distances the song
remains strong, drawing the Linden into itself, singing
melodies deeply woven through delicate leafy veins
forever connected, forever entwined, forever part of 
sunlight’s loving embrace, warmth wrapped in bonded
magic.

Poetry: Am I Cool Enough to Play in the Poet’s Sandbox?

Poetry has wriggled itself inside me, leaving me pondering words and feelings for hours. I wish I’d not stopped writing so I’d be further along and far more skilled at expressing myself and seeing metaphors and abstractions. My poetry class has been a rough back and forth. Sometimes I feel excited and joyful, and other times I’m filled with crippling self-doubt.

I have a lot of work to do.

This week we did our own version of two poems, which play off of each other.

The first is “We Real Cool” by Gwendolyn Brooks. We were to write a version of this poem as a writer at Comic-Con. I’m fairly certain I’m the only person in my class who has never been, but I imagined myself there. The first thing that came to mind was feeling like I don’t belong—a sense I’m not creative or real enough. I followed the exact format of the poem and found when others shared their interpretations they were far less rigid in their thinking—something for me to ponder moving forward.

For our second poem, we looked at “The Golden Shovel” by Terrance Hayes. He uses all the words of “We Real Cool” to create two more poems with different meanings. I found this exercise the most fun I’ve had so far. I loved breaking the words up and playing with how they sounded reading them out loud. This was also the most personal for me, exploring my feelings of being not worthy of being part of the creative world.

I hope you enjoy this third week of poetry. As always, any and all feedback is greatly appreciated.


Wordy Ones
Lost at Comic-Con

Too much I see
This bunch. See

The fake. See
Me take. See

Words real. See
Me feel. See

It all. See
Me fall.


Lost in Wordy World

Part I

Audaciously ungraciously stumbling too
drunk with unresolved dreams much
too much to be with, play with, cool kids. I
pretend, extend, and reach with all to see

if real me is enough. Naive and candied, honeyed this
world of wordy geniuses, the authentic bunch
eludes timeworn plain-Jane me, blinking un see

n. Hidden within shadows, turning, twisting off the
path traveled, into deep waters where fabulous fake
ery lives within the pulsing, pushing. Arms paddle to see/

sea creatures within writhing, writing to unearth a me.
Screeching too late, too late, haunted—take
deeper voyage under, over, pen on paper to see

k truths with excavated shoveled sand. Words uncover wily words
writhing words, piled upward and upright toward some real
ness. Will I, won’t I, the dance of solitary solidarity see

ing where words take, two pigeon-toed left feet, lead/lean on me.
Bounded, tethered by urgent hoping, desperation—finally feel
and reel and real, to uncover the sea and seethe and see.

Kindness, ambition married with martyr me, it
wars, bloodied knives out, within my curving all-rounded
frame. It’s mothering outward me versus internal me see

ing vast emptiness hidden in wordy distant worlds. The me
to be, to stumble, slipping on words with care, for I may fatally fall.

Part II

Writers write words too
big inside to ignore, much
ruckus, boisterous blabbering. But I
hear the calling whippoorwills, see

the creaking willows in this
hollow by the sea. I fond a bunch
of cryptic messages, bottles see

n bobbing up and down the
waves to me, for me. Not fake
pain, no, far too real. See

the version, vision of me
you see, isn’t to take,
no, it isn’t for you to see

at all. With my words/
weapons I become more real
ly me. Each breath, see

words flow, float from me
—pen on paper, the feel
of all or nothing, see

me give and give, it
feels like not enough. All
I am and all I see—

collections of words in me.
Don’t look away or I’ll fall.

Poetry: Stumbling Forth

I’ve fallen in love with poetry and have been reading a lot more of it. I’m inspired by the variety, depth, and beauty of the distinct voices poets bring to their works. While I’m still quite clumsy, I’m enjoying exploring different types of poetry and playing with line breaks, punctuation, and repetition.

Last week, I was blown away by the thoughtful comments of encouragement and support. My anxiety tells me those poems were a fluke and everyone will hate this week’s offerings, but I know that’s resistance taking the lead. Creativity takes a lot of courage, and I’m summoning all I got to keep moving forward. One word at a time.

This week’s classwork was to write poems inspired by our favorite books. I’m sharing three poems:

  1. Erasure poem from the first page of “The Name of the Wind” by Patrick Rothfuss
  2. Erasure poem from a random page “The Slow Regard of Silent Things” by Patrick Rothfuss
  3. Acrostic poem using “The Name of the Wind”

I hope you enjoy these latest attempts. As always, any and all feedback is greatly appreciated.


Night

Silence;
hollow lacking,
wind creaking,
brushed autumn laughter.

House;
music huddled,
quiet news,
sullen sorts underfoot.

Splintering;
black heat,
white hands, 
polishing lamplight flame.

Subtle;
wrapping deep,
wide stone,
patient flower waiting.


Surely

slow down, fingers touch
brushed sweetness
curled edges
realizing proper treasure

surely
surely

the moment eyes want
furious things
shame burning
greedy wanting twisting 
world of pushing desire 

she closed 
around herself
obviously

in
need 


Into the Wilds Within

Tired, weary I bring myself forth to press into
hallowed places, for I dare not travel alone into the
ethereal nest of words I can’t say out loud.

Nothingness, thick about me, caped and hooded,
aloof with boots of thick mud, trapped between
me and me and me, the versions of which I can’t
erase, write again and again for all time.

Oh, worldly wordsmiths of grace and mire
forgive me my shortcomings, for I’m not worthy.

Tis the smoke in my eye blinding me to the
hero, the pain of which I can’t find no matter how
earnestly I go into the woods and the wilds to

wrestle the places deep within to seek diverse
images. Words fail me, they don’t capture the
nothingness and everything of the beautiful
dreams of what could be, what I could be.