Book Release Recap: Thank You!

On the last weekend in April, I celebrated the release of my first book, Watering Words: 52 Short Stories, with a book signing and reading at my favorite independent bookstore, A Seat at the Table Books. I’ve been dreaming of this moment for most of my life and…it was better than I could have hoped for. Let me give you a brief rundown of how it went.

On the 40-minute drive to the bookstore, my family gave me a series of much-needed pep talks and distracted me with every stupid joke they know. My favorite from my daughter: Did you hear about the crime that took place in the parking garage? It was wrong on so many levels!

We got to the store a bit later than I wanted, so we had to hit the ground running. With the help of my friends and family, we got everything setup pretty quickly. A few people trickled in at first, but within twenty-minutes, the place filled up! The store had to make an announcement about not blocking the aisles, and many people had to stand. I honestly couldn’t believe it!

Our first speaker was Larisa Bryski, the director of my favorite non-profit G.I.R.L.S. Rock Sacramento. She told the audience about our connection and the wonderful work her non-profit does to help young girls find their voice. A portion of my book sales and the speciality drink sales go to support their mission and I’m so grateful she could join us. Thank you!!

Next, my childhood best friend Angy Cring told stories about us as middle schoolers, including a story of us sneaking out in the middle of the night to meet boys, and how we changed our names to reinvent ourselves before high school. She traveled from Las Vegas to assist me all weekend, handling backend promotion and even filming the event. I’m so fortunate to have her in my life! Thank you!!

Fantasy author and close friend Jason Denzel, author of the Mystic books, then introduced me. He talked about our writing group, playing D&D together, and watching me grow in confidence through our time together. Jason inspires me daily and helped make the entire event run more smoothly. I’m so lucky! Thank you!!

Finally, it was my turn to speak. I was incredibly nervous and forgot I was going to thank a bunch of people to start off, but once I got talking about the book, I calmed down. After reading the short story Striders, I took questions. This is where I truly surprised myself. The audience asked such thoughtful and amazing questions, and I found it easy to talk about my writing. Far easier than I thought! By the time I read my second story, Coffee and Cloves, I really felt good. I thanked people and then setup for the book signing.

You guys! The line went ALL THE WAY around the store. It took me over an hour to sign all the books. So many hugs and pictures and joy! I’ll honestly never, ever forget the feeling of this first author event. My heart is still so full more than a week later.

To date, I’ve sold over 100 books! Thank you to everyone who has supported me. If you want to help support me further, buy a book for a friend, or consider leaving me a review on Goodreads or wherever you do such things. Also, if you’ve read the book, I want to hear from you! Tell me what you liked. Do you have a favorite story? Tell me!

Hope you enjoy these pictures from the event:


My table at the author market on Saturday (the day before the big event).

Me and my childhood friend Angy about to start the event.

Larisa Bryski of my favorite non-profit G.I.R.L.S. Rock Sacramento.

Fantasy writer and good friend Jason Denzel introducing me.

What is this face?

Me signing books for over an hour!

A portion of the book sales, as well as this special drink, went to support G.I.R.L.S. Rock Sacramento.

My amazing writing group! I’m so lucky to have these people in my life.

My fantastic editor Laurie Fox.

My dear friend and writing partner Anna Loscotoff. She made me the beautiful scarf I was wearing.

My nephew Wyatt brought his little gnome to the signing and his scarf matched mine!

Me and my beautiful friend Jenny.

My momma!

My daughter, her bestie (my second-daughter) and my husband busy at work. My son was behind the camera and took video.

When I’m with my brother, I apparently make silly faces.

Not sure why I’m making this face 🙂

The after-party crew!

I sure love my beautiful writing friends. Thank you!

Real talk: I try to be honest and vulnerable with my readers, so I’ve got to mention two things. 

First, even though I’ve sold over 100 books, I’ve still not broke even. Self-publishing is expensive and I couldn’t do this at all without the support of my husband. I’ll never be able to support myself financially with my writing, but it’s still worth it. Creating and putting my words out into the world is something I’ll forever be proud of, regardless of any monetary success. As a friend reminded me earlier this week, years from now, some distant relative might read my book to get a peek at their ancestral lineage. That’s pretty amazing to think about. So, future great-grandchild, this is for you.

Second, and this one I say with a bit of hesitation, it was hard to see myself in these photos. I’ve put on a lot of weight since a hip injury a few years ago, and it is hard looking at the reality of it. My hair has started to thin, something I inherited from my mom, and I noticed it. Big time. I’m so freaking proud of myself for putting this book out into the world, for being brave to share it at the bookstore, and for everything I did…but man…it’s hard to face our changing bodies sometimes. But you know what? I’m glad I’m where I am right now. I’m in the best place mentally I’ve been in my life and I’m surrounded by inspiring and talented friends, so I’m going to embrace myself—flaws and all.

Let me leave you with this: Love yourself right where you are, friends, and write the words, paint the painting, do the thing! Don’t wait. It’s never the right time. I’m here to cheer you on! Tell me about it! We are in this together.

Book Release: Let’s Celebrate!

I’ve taken another leap forward in my creative journey and self-published my first book. I’ve spent the last few months rewriting every story, working with a book cover artist, figuring out how to format a book, and taking on each challenge as it presented itself—and there were many! I had no idea what this journey would look like, and although I’m still in the weeds of doing new things, I’m ready to share it with you.

I’m thrilled and grateful to present my debut book, Watering Words: 52 Short Stories.

Isn’t it beautiful! The official release date is April 27, but you can pre-order it now! What you get if you pre-order:

  • Autographed copy of the book
  • Bookmark with links to a photo collage and Spotify playlist for all 52 stories
  • A printed and autographed copy of an additional story not in the book titled Through the Glass Windshield

A portion of my book sales will go to support my favorite nonprofit, G.I.R.L.S. Rock Sacramento. My daughter attended their camps for eight years, and it changed her life. Please, check them out and consider a donation. Right now, more than ever, we need organizations helping girls find their voice.

If you ARE local, you can also attend my book release party at 1 p.m. on Sunday, April 27 at A Seat of the Table Books in Elk Grove, California. Not only is this my favorite independent bookstore, but they strive to create a “place that is safe and affirming for all identities.” Seriously, I’ve never felt so comfortable in any store. They’re tremendous supporters of local authors and will carry my book on their shelves.

Did you catch that? My book will be IN A BOOKSTORE. {Pinch me}

Now, what’s this book all about? Readers of my blog will recognize most of these stories from the writing challenge I did two years ago, but they’ve all undergone extensive rewriting and editing. Here’s the blurb from the back cover of the book:

The Blinking Day arrives for a mother after she drops her kids off at school. A starving child follows a rabbit to a house of candy. Orange trees kill a father. An alien must learn one true thing. A girl wants to be a fish tank. An old couple paints with blood. Apple stars unlock memories. Goldilocks gets what’s coming to her.

Written over one year, Bridgette Kay’s debut collection crosses genres and time as it explores the complexities of being human. With a unique ability to capture deep emotion, she tells fictional stories through the lens of lived truth. Read one story a week or devour them all at once. Your next favorite adventure starts now.

  • For a sneak peak at the stories, check out my Instagram

Real talk. This post feels big and scary. While I’m excited to have this book in the world, it also comes with all the insecurities and fear of being a creative. Will people buy it? If they do, will they read it? If they do, will they like it? I’ve had many moments over the last few months where I’ve said, “I’m not ready for this.” I’m not. I’ll never be.

There’s a creative on Instagram I love named Amie McNee. She just published a book titled We Need Your Art: Stop Messing Around and Make Something. I’ve got a copy beside me as I type this, and I keep flipping through and reading her words. “Imposter Syndrome is a clear sign from the universe that you’ve leveled up, baby.” “Other people will have made art similar to your art. It’s not a cause for panic. It isn’t a threat. It’s proof of market. There’s room for you.” “Nothing truly wonderful is made without first being a little bit cringe.” Her words are exactly what I need to read right now. Thank you, Amie.

It feels cringe to ask you to buy my book. It feels scary to say I’m proud of myself. But, I’m saying both. I finally finished a creative project and I’m going to let myself celebrate.

If you are considering self-publishing, starting a blog, or any act of creativity—go for it! I’ve got people coming up to me excited about my book. A friend posted on FB, “You are bringing light into the world, light that will help me on my way. Congratulations!” and another said “Just the best thing ever!!! And it’s about time!” How cool is that?

We need art right now. Make your art. Use your voice. We need you.

And buy my book. It will look pretty on your bookshelf 🙂


Cover design: Vivian González Zúñiga

Photography: Mountain Retreat

Last week I spent time recharging and writing in a beautiful house on Cobb Mountain. My creative, giving, and loving friends helped me figure out the title of the short story book I’ll be self-publishing in April. I wrote the introduction and edited several stories. They were invaluable in listening to me rattle on about my dreams and fears.

In this tumultuous time in America, it felt good to surround myself with strong women. We need each other more now than ever.

“They will want you seated, conformed, and quiet but don’t you dare fit in. Scream the house down if it’s what it will take to make your noise heard. The divine feminine has been shamed and shunned for self-expression for far too long, we aren’t here to silence ourselves anymore.”—Nikki Rowe


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As always, all photos were taken by me with an Olympus OM-D and edited with ON1 Photo RAW. Let me know if you have a favorite and have a wonderful week.

Photography: Old Sacramento

Yesterday I went to Old Sacramento with my mom to do a little photography. She’s headed back to Washington in a few days and this was our last outing until I visit her in the Spring. Instead of taking photos for the next challenge, I took photos of whatever I liked.

There were more cracked windows and boarded-up businesses than I remembered seeing the last time I visited. More homeless people and garbage too. For most of my life, this part of Sacramento has felt sacred to me. It’s a bit of history you can walk around and touch. It’s sad to see it declining.

It feels like a microcosm for so much in the world. Things aren’t the way they used to be (oh, that makes me sound old). “Back in my day…” But it’s true. It’s hard to remain optimistic with mass shootings and climate change disasters. It’s hard to think about where this is all heading. It’s hard to live in the uncertainty.

Meanwhile, my personal life is easier right now. My daughter’s mental health is stable and she’s enjoying homeschool. My son has graduated high school and is taking some time to rest and recover from the last few years. I’ve got some great friends who love me and a fantastic and supportive writing group.

Despite all this good, I feel trepidatious. After living in a state of constant anxiety for years my body doesn’t trust “easy”. I’ve had some panic attacks and some nightmares. The writing goals I set for the year aren’t looking possible and I walk the line between optimism and grief quite regularly.

As a result, I suppose, my blog has become filled with photography and poetry. I’ve been using these creative forms as a way of exploring joy and finding balance. I still pull out my works-in-progress and play with them from time to time. I still want to self-publish my short story collection. I still have plenty of goals, but maybe it’s not a bad thing to slow down.

I don’t know what the future brings for my family, my blog, and the world, but I do know it’s better when we all reach out and support each other. I’m so grateful to everyone who stops by to leave me a like or a comment. My friendships here fill me with so much hope. So, in case I haven’t said it lately, I’m glad you are here.

Thank you.


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  • Photos were taken with an Olympus OM-D and edited with ON1 Photo RAW

Shoebox Poetry: Blurry Eddie

You carve our names “E+K”
into the ancient oak behind
your daddy’s church in hopes
I’ll see, but I’ve grown 
tired of playing your endless

games. My drawers overflow with
your teeny-tiny top-secret 
messages penned on newspaper scraps—
“I miss you,” “meet me
behind the old Bulto Market,”

and “kiss me, dearest Kate,
I’m dying for you.”
Just
words. I need more than
blue-eyed winks and brief
hidden embraces. My love needs

sunshine—warm, bright, radiating fire
so vibrant it can’t be
stoppered or hidden. Explosive volcano
love, running thick down our
bodies. Popcorn love, loud hot

buttery passion devoured with both
hands. Instead, you give me
your blurry photograph standing at
301 Caroline Street, our secret
kissing place. You write in

sweeping curvy letters “this is
not very clear, but it’s 
still me. Eddie.”
Blurry love
is what you offered, thinking 
I’d accept, but I deserve

someone who wants our love
to be broadcasted, shouted, screamed
into the streets. Bullhorn loud
love. Free to be me
love. So, I chased you

onto the old bridge, calling
out through hot tears, “choose 
all of me or none 
of me.”
The bright moonlight 
stretched my dark shadow so 

it covered you entirely as 
you walked away without looking 
back. My young love never
wavered, but yours wasn’t brave
enough to fight. It’s funny

now, finding your thoughtless dare
scrawled in ink, “see how
long you can keep this.”

I kept it forever, blurry
Eddie. Not for you, though

for me.

I stayed in focus.



Shoebox Poetry: This is the second poem in my series based on an old box of photos I inherited when my grandmother died in 2004. I don’t have any idea who Eddie was, but I wanted to rewrite a possible old love story as a moment of empowerment for my grandmother. She was a fierce woman and I like to think she kept this photograph as a reminder of her strength. If someone out there happens to know Eddie, sorry. This is pure fiction and I’m sure he is/was a lovely man.

Poetry: Spoonwood for Perseverance

fingers pause over the keys
whispy white clouds drift by
soft green magnolia daydreams
distract away wee wiggly words

woo them back with gifts
of fiery red phoenix feathers
balls of dancing dandelion fluff
twisted ancient oak tree wands

lure them with magician cloaks
flapping on a griffin’s back
whispering old spoonwood spells
in round tortoise-shell glasses

capture them again and again
with bright lotus flower nets
50,000 twirling points of light
trapped in your spun-sugar bowl


*A short poem inspired by the saying “Spoonwood for Perseverance” on the NaNoWriMo winner certificate. Congratulations to everyone who participated this year.

The Car Wash

“Auntie,” he calls from the back seat.

I adjust the rearview mirror so I can see him smiling from his car seat in his striped footie pajamas. He turns the tiny gold key to my jewelry box over and over in his small hand. We spent all morning unlocking tiny doors around the house, letting out imaginary rabbits to rush around and find carrots in the carpet.

“The van is dirty,” he says.

We make eye contact in the mirror and he giggles. His bright blue eyes are hidden behind my pink sunglasses and he’s wearing a knit blue cap. I play along.

“Are you sure?” I say. “It looks clean to me.”

“Yes! It’s dirty!”

“Well…what do you think we should do?”

“Car wash!”

He says the words with a squeak at the end. His entire body jerks and the sunglasses fall off his face.

“You think so, huh?” I say.

“Yes! Car wash!”

“I don’t know…”

“Car wash! Car wash! Car wash!”

He knows I’m going to give in and I do. When he sees the yellow duck on the sign he claps his hands and kicks his legs. I put on our song, “Working at the Car Wash” by Rosvelt, and pull the shade back from the sunroof so we can see the bubbles all around us.

“Ready?” 

“Yes!”

I watch the joy and excitement on his squishy face as he stares at the green, blue and purple bubbles. We sing, dance, and giggle over the harsh sounds of the water and the fat colorful rollers slapping against the van.

It’s pure joy.

A ritual we’ve discovered together.

An auntie thing.

He turns three on Saturday and I live for these pockets of magic we uncover. 

Our shared treasure.

They feel big and important.

And fleeting.

My own children are teenagers, beautiful and complex. We are close and continue to create new memories, but I miss when they were small enough I didn’t have to share them with school or friends.

When they were mine.

I’ve discovered playing with my nephew allows me to slip back into memories of my own kids in a new and different way; to uncover the feelings and sensations of burying them in the sand, snuggling them at bedtime, and holding them when they’ve fallen. 

These little snapshots of my kids at his age come into focus with surprising intensity. It’s like remembering an old language I used to speak, slipping on an old sweater, or opening a tiny door.

It’s a wonderful and unexpected gift.

All the love.

All the silliness.

All the tears.

All the firsts.

This week my son got his first bank account and started his first job. As I drive him to work it occurs to me it’s the exact route I took to his preschool. The feelings swelling up are familiar too; another moment of letting go and another shifting of our relationship.

The sadness I expect to come, however, doesn’t.

It feels different.

When I pick up him at 10 p.m. he requests a Happy Meal and hopes he gets a Stitch toy. He talks animately about his job and the people he met. He laughs and we listen to “Pump up the Jam” at high volume and sing along.

My boy.

There you are.

The pandemic and his accidents robbed him of growth and some of the firsts he should have had. It put us in a strange place of adversaries, and we’ve both lost the comfortable way we’d always been together. The silly way we could look back and move forward; our own dance.

I’m remembering it.

I hope he is too.

We have a lifetime of firsts left.

First job uniform.

Writing prompt #3: The Pledge

Two weeks late and a bit meandering, I give you this short story I’m calling “The Pledge.”

I’d love to know what you think of the characters and if you’d read more. Thanks again to Angelica for the prompt.

Enjoy.

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I push my bare feet into the familiarity of my cracked red cowboy boots. The dampness makes the worn leather grab them, so I have to pull hard. The sore muscles in my hands twitch in disagreement. It takes thirty seconds, but with his eyes on the back of me and the heavy stone returning to my gut, it’s like an endless looping moment.

Turning around, I see he is as I left him, laying on his back under the green sweeping branches of the old Willow Tree. He has slipped his brown corduroy pants back on, but his chest remains exposed and flushed. His bushy blonde hair and beard, thick legs and arms, give him the appearance of a resting lion. I blush remembering the hunt. He pats the ground next to him and I turn away.

“Don’t go yet,” he says.

His voice smoky and panting calls me back to our hidden spot and my body responds with natural instinct, a betrayal of my true intentions. The warring of my conscience, volleying back and forth, makes me sway in place for a moment. I kick a rock with the toe of my boot and watch it hit a boulder and break into uneven pieces. I don’t know if I can end this, or if I do, what will be left of me.

The rainclouds grow darker and fat drops fall onto my tangled red hair, bringing goosebumps spiraling from my neck to my arms and legs. The soft fabric of my favorite yellow sundress is plastered to my body, outlining its curving shape and my missing undergarments. The rock shifts in my stomach and I lean forward to avoid my boots as I release everything I’ve eaten in the last day on the mossy ground.

Shivering, I recite the “Pledge of Allegiance” in my head, my hand covering my heart in a motion so practiced it could not be restrained.

“I Pledge Allegiance to the Flag of the United States of America…”

In the moonlight, my father’s face looks as if it was carved from an elephant’s tusk, pale white and severe. There is a dark brown evening shadow of hair running in an almost straight line from his ears to his cheekbones, ending in a patch on his pointed chin. His eyebrows are pitched toward his nose in a deep scowl, making his blue eyes almost disappear into his wrinkled face. He spits a glob of foam onto the ground and twirls the hard, white ball in one hand.

I’m standing at the five-sided home plate in our backyard, holding the heavy wooden bat in my small hands. A tall, wispy girl of six, I’m dressed in jeans and a faded yellow t-shirt. My nails are thick with dirt from digging with the neighbor boy for worms near the creek behind our house. I concentrate on placing my weight on the balls of my feet and keeping a slight bend in my knees.

My father brings his arms together in front of his body,  pulling back and lifting one knee, he pitches the ball. Fear overcomes training, I close my eyes and freeze in place. The ball hits me hard on my side and I fall to the ground, tears coming faster than I can stop them. The bat rolls away and I gasp for air.

“Get up.”

He is snarling at me from his raised pitching mound, the anger hot between us. I wipe the tears with my hands, the dirt stinging my eyes. My lungs stab with pain, but I force myself to my feet and stumble toward the bat’s resting place a few feet away. When I bend to lift the bat, the pain makes me cry out. I turn to him, begging with my eyes for us to be done, but he doesn’t return the gaze. He walks toward me, retrieves the ball near my scuffed pink tennis shoes, and returns to his dirty throne.

“Again.”

I place my feet shoulder-width apart and hold the bat, making sure my index finger on the bottom hand is bent around but separate from the other fingers. I adjust the angle and keep my eye on the ball. Don’t look away. Don’t flinch.

“…And to the Republic for Which it Stands…”

Standing side by side, I try to stay in unison with my father’s deep voice as we say the pledge together. He pronounces each word sharp and crisp. When he finishes, he turns to me, tilting my ten-year-old face to his. He is wearing his dark blue army uniform, the special occasion one with the shiny gold buttons and the polished black boots. I don’t know if he is carrying his gun. He grabs both my hands in his.

“Never forget today.”

The seams of my white gloves press into my palms as he squeezes hard. We turn back toward the hole in the yard where Gretchen lay dead and stiff. Dad’s flannel shirt is laid across the lower part of her body and her favorite chew toy, a stuffed mallard with missing eyeballs, is placed in her paws as if she’s holding it. I’m scared she might move at any minute and lunge at me with her wild eyes and sharp teeth.

Dad stands at attention, and I do as well. I’m wearing a pleated yellow dress he ironed with starch and it itches, like bugs crawling on my stomach and chest. I look at the stand of beech trees near the back fence, yearning to play, and he grabs my chin, returning my gaze to the hole. Gretchen’s face is locked in a permanent growl and I swear I hear it rumbling out of her dead mouth. I shiver and squirm.

He slaps me across the face. My neck whips around and I fall to the ground, the smell of rotting dog making me gag. My face burns, my eyes refuse to focus and I puke, a dismal array of undigested oatmeal and orange juice. He pulls me to my feet, my white patent leather shoes scuffed with dirt, and screams into my face of disrespect and disappointment. I can’t see his face. I stammer an apology and return to his side. We stand at attention, the throbbing of my head making me sway, and say the pledge over and over as the stench of Gretchen’s body covers us.

“…One Nation under God…”

He holds my hand as we watch the casket, my father tucked inside, lowered into the ground. The sun is shining bright and the sky is electric blue and free of clouds. Sweat makes the black lace of my dress stick to my skin and drips streak the backs of my legs. I squint and cover my face with my free hand, pretending tears I can’t seem to force.

A soldier, young enough to have pimples on his chin, hands me a triangle of an American flag. It’s heavy in my arms and I resist the urge to throw it on the ground. All eyes are on us, the grieving couple. I’m about to say something when he makes a strangled cough which turns into a heaving sob, his bulky form shaking next to me. He sounds like a fish gasping for air. I keep my eyes on the hole in the ground.

My father and I met him at a car show. He was standing next to a bright red 1966 Ford F100. It had been his father’s truck and he was honoring his memory by showing it. He had long blonde hair pulled back into a neat ponytail and a trimmed blonde beard. He was dressed in a sandy brown suit, ironed creases along the center of the pant legs, and a soft yellow handkerchief folded with three points in the left breast pocket. His smile warmed my body. My dad was impressed and invited him to dinner at our house. We were married six months later, five days after my 18th birthday.

My father loved him, greeting him every time by gripping his arms and pulling him into a deep embrace. They never spoke harsh of each other, only of me. His sobs crescendo, his body wobbling back and forth as everyone watches. The light catches his wedding ring. I should pull it off his finger and throw it onto the casket.

He looks beautiful in his expensive Italian suit with its three round buttons, embroidered silk tie, and pale-yellow handkerchief. He’d polished his shoes for two hours this morning, but they look dull in the brightness of the noon sun. He goes silent and snaps his body to attention. His voice cracks as he leads everyone in saying the pledge my father lived. We all join in.

“…Indivisible, with Liberty and Justice for All.”

I spit the last strings of vomit on the ground and tilt my head back so the raindrops fall on my face. I close my eyes. The ground is slick and puddled under my boots. I should not have come to him again. He wipes my face with soft yellow fabric and folds me into his arms, the scent of him like pine forests and mud. His lips brush my neck, licking rainwater and warming the air. I look at my red leather boots and beg them to walk away.

 

 

 

Writing prompt #2

I’ve been working on my novel for several years, a task which involves writing the same paragraph seventeen times, scrapping it and then crying. I suppose there are other methods, but I like to suffer. Clearly.

As you can imagine, it’s not so fun. It’s work. Self-imposed work with no deadline or guarantee anything will come of it. Soul-feeding and soul-draining work.

Free writing, however, is as fun as I remembered. Letting a story flow, without edit and overthinking, is creative play and makes me feel giddy.

Here is my second free write with Reece Writing. Be sure to read her chilling take on the same prompt.

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Grandmother’s left side of her body is smaller than her right, giving her a lopsided gait and a frailty which compels strangers to want to open doors for her or offer her assistance. She refuses, giving the well-intentioned person a scolding look. This is followed by her story, unpacked in a measured tone, each word well-rehearsed and precise, trapping the would-be good-doer with her piercing black eyes.

We are at Save Mart picking up a cake for her 90th birthday party, a task she did not trust me to complete alone. A tired mother with a sleeping baby strapped to her chest in a colorful sling, and an excited toddler bellowing his ABCs while stacking groceries into towers inside the cart, makes the mistake of smiling at Grandmother and asking her if she needs anything.

Grandmother sits down on the cracked leather seat of her walker, taking a small box of tissues out of the flower print bag hanging from the metal bars, and sets it on her lap. She holds up her left hand, it looks like bones covered in blueish veins held together with greying tissue paper.

“I had Polio at five months old,” she begins.

Her voice is loud for someone so small and I see the woman’s look, the one they all give as she begins her story. Sympathy at first, perhaps even interest, but as she continues, it transforms into embarrassment and then a desperate desire to flee.

“My mother wept for the first five years of my life. She was heartbroken at the imperfection of her only child, this weak and disfigured girl who didn’t smile or speak. My father says my Polio is what killed my mother, but I know it was something more. I felt the truth the moment I was born, and I carry it still.”

If she can keep her audience, the story continues with her two marriages, one good and one bad, her ten children, eight surviving to adulthood, and the three-bedroom house she has lived in all her life. Few people stay for the entire story. If they do, it’s older women wearing long skirts or flowering dresses and they want to hug her after. Grandmother does not permit any kind of touching but will give them a tissue from the box. If they don’t leave, she will begin again.

The young mother doesn’t make it past the story of the first marriage. The toddler screeches and throws crackers at Grandmother as the newborn baby begins to wail and snuffle at her covered breasts. The poor woman apologizes and backs away. She appears shaken and I offer to help, but she’s moving fast away from us, headed toward the opposite side of the store.

“Here’s your cake.”

The woman behind the counter, a 20-something with bright blue eyes and a blond pony-tail high on the back of her head, smiles at us with the box open for our inspection. Grandmother stands and peers inside. It’s a vanilla cake in the shape of a house, frosted green with yellow shutters, and the number 90 written in gold icing on the front door.

“Perfect,” I say.

Grandmother turns to me and scowls, making a growling sound in the back of her throat, and walks toward the glass front doors of the store.

“Nothing’s perfect,” she calls. “Hurry up.”

I thank the woman and pay, balancing the cake in my arms to find Grandmother sitting behind the wheel of her pale blue 1970s Cadillac. The windows are rolled down and her walker sits on the curb next to the car. I set the cake on the back seat, fold up her walker and place it into the cavernous trunk.

“You move like a sloth,” she calls. “You better hold the cake on your lap.”

I retrieve the cake and take my seat, expecting her to slam on the gas, but instead, she’s frozen. Her hands are gripping the steering wheel, making the knuckle bones look as if they will pop through her papery skin. She is staring at a middle-aged man, plain and a bit pudgy, getting out of the white Ford sedan next to us. He returns her stare, glaring with deep-set grey eyes. I recognize the look, but don’t want to.

“No,” I whisper.

“No choice,” she says.

“It’s your birthday Grandmother, and everyone is waiting at the house for us. We could ignore it.”

“Get my walker.”

“Grandmother…”

She stares at me, her black eyes burning and I blush from shame.

“Now.”

I return the cake to the backseat and get her walker. The man is standing at the cake counter by the time we get inside, unaware of what is to come. I wish I was. He is talking to the same girl we got our cake from and she is blushing and giggling in excess. She likes him.

He is wearing faded denim jeans, a button-up grey shirt, and plain brown shoes. His sandy blonde hair is balding in the back, and he has a small trimmed mustache. Grandmother walks over to him and touches him on the arm with her left hand. He flinches and glares at her. I see it flash across his face so transparent I wonder why he’s never been caught.

“Can I help you?”

He is trying to recover, his voice sugary and sweet, but the fear is making him tremble and his temples are wet with sweat. He smirks at Grandmother, the telling grin of a confident hunter, and my stomach burns with acid. Patience, I tell myself.

“I’m wondering if you can help me,” Grandmother says.

“Oh…umm…sure.”

He is staring at the blond girl, her name tag says Angela, and I wonder if she’ll ever know how close she came to death.

“I’ll be right back,” he says.

He touches Angela’s forearm with a finger, a tickling swipe to mark her, and she blushes. How long has he been planning today? How many cakes has he bought in preparation? She giggles at some joke he whispers, and I feel nauseous and sleepy. Grandmother’s voice wakes me.

“I need help getting something out of my trunk,” she says. “It’s too big for my granddaughter and me to handle, but you look strong.”

Her syrupy voice, the one she uses for this purpose, awakens the calling inside me and I find the stillness. My training takes over. I beam at him, making myself smaller and more attractive. I sway my hips as I step into place next to him, placing my arm onto his, steadying him. I stare into those dim eyes, past the monster, to the prey. He blinks and wipes the sweat from his forehead.

“Oh, I can’t thank you enough for helping us,” I say.

“It’s no trouble,” he says.

I lead him to the car. He stumbles a few times, mumbling in a voice low and wobbly. He is confused, his instincts trying to wake him. I’m stronger. Grandmother is waiting at the open trunk. He stares at her and tries to speak, but words are lost to him. He climbs into the trunk and lays down, his arms at his sides.

“That’s a good boy,” Grandmother says.

He unsnaps a hunting knife from a leather strap around his calf and hands it to me. It’s warm and smells musky. I wrap it in a rag and put it into the glove box. Grandmother closes the trunk, stores her walker behind her seat and brings the V-8 engine rattling to life.

“Don’t forget the cake. You should hold it on your lap.”

I do as she says, the weight of the cake box comforting. I resist the urge to open it and dip my finger into the sweet icing. My body feels weak and hungry.

“We will take care of him after the party,” she says. “I don’t want to keep everyone waiting.”

“Yes, Grandmother.”

“You did well, child. You may be ready to do this without me.”

“Thank you, Grandmother.”

She begins to sing a song from her childhood, the words as familiar to me as my own breath. I join in and our rising voices become one.

“When the shadows of the evening creep across the sky,

And your mommy comes upstairs to sing a lullaby,

Tell her that the Bogeyman no longer frightens you,

Grandmother very kindly taught you what to do!”

*Adapted from “Hush Hush Hush Here Comes the Bogey Man” by Henry Hall