Flash Fiction: Toad at the Well

Authors note: A little somethin’ different today. This might be a children’s story or it might just be nothin’. You decide.


Ma says toads are magical but ain’t no reason to fear ‘em. She says people make up stories bout what they don’t understand all the time and I should be thinkin’ for myself. All I know is the big brown toad livin’ beside the cobblestone well at the edge of our garden does a whole lot of sittin’ and starin’. I like him and I think he’s got eyes for me too.

I ain’t had a friend in a long time and I get to thinkin’ toad is the answer. When nobody is lookin’ I pull off all the flies from the sticky trap in the kitchen and put them in the pocket of my calico dress. It’s hard work and I don’t get all the pieces, leaving behind bits of legs and wings, but I don’t think toad will mind. He seems a likable fella.

He’s not like me at all. I’m either “makin’ too much ruckus” or “I’m so quiet I could scare a ghost out a grave.” Nobody much wants me around. I try to be middle-like. Brother was middle-like. He’s gone now and all my parents have left is me. Ain’t none of us happy bout that.

With a basket of wet laundry under her arm I see Ma headin’ behind the house to where the rope is for dryin. She don’t see me though because I’m slippin’ quiet-like behind the trees and through the hedges. I want to keep this meetin’ secret—just me and toad. Nobody else needs to be botherin’ about us.

When I get to the well the toad is where he always is, tucked close against the ancient crumbling rocks. He sits half in and half out of a smelly green puddle of mud and slime. You’d miss him if you didn’t look twice even though he’s as big round as Ma’s Sunday loaves.  Ca-mo-frog. I move closer and curtsey low-like.

“Fine day for a meetin,” I say. “Fine day indeed.”

Toad says nothin’. I find a flat rock for our table and move it slow-like until it’s positioned close to his round chin. I lay my pink and white lace handkerchief out like a proper tablecloth. I use a couple strawberry leaves as plates heaping them with flies for toad and blueberries for me.

Squatting low, like toad, I pull my dress up to my waist exposing my thin legs covered in mosquito bites. We stare at each other for a long time waitin’ for the other to say somethin’. A crow laughs in the pine tree.

“Rude,” I say.

Toad says nothin’. I eat the blueberries but toad doesn’t touch the flies. I try a few topics of conversating—weather and the like but he stares ahead uninterested in me or the meal I brung ’em.  I wonder if I got it all wrong. Perhaps instead of a friendly toad he’s a wishin’ toad. Like a genie or somethin’.

“You a wishin’ toad?” I whisper.

Toad says nothin’ but I close my eyes tight and make my first wish anyway. I’m concentrating hard but when I open my eyes toad is lookin’ past me and into the forest. With a small “croak” he leaps into the air splashing mud all over my calico dress. I’m about to give him a talkin’ to about Ma’s and keeping dresses clean but he’s hopping away and disappearing into the forest.

“Wait!” I cry.

Maybe I got it all wrong again. Maybe he’s a kissing toad! One kiss and he’ll turn into a prince and whisk me off to a palace for a life of happily ever after. That’s got to be it! I walk on silent tiptoes until I’m close enough to grab him with both hands. He’s heavy and slippery but I hang on tight and force him toward my face.

“Let…me…kiss…you!” I scream. 

He doesn’t cooperate but I manage a kiss anyway right on his toad lips. Nothin’ happens except my dress gets dirtier. I drop him, wipe my mouth on my arm, and spit into the dirt. Not only did I not get a friend but now I’m gonna get a paddlin’ cause of my dress. Double probably for leaving the yard. It’s not fair.

Since brother left I’ve been trying not to breathe too hard or too soft or my parents get to cryin’, yellin’, or hittin’. I can’t do nothin’ right. Wish I’d fallen in the river instead of brother, but Ma says I shouldn’t be sayin’ such awful things. I wish I could be doing and sayin’ nothin’. Can’t be wrong if you ain’t here no more.

The sun moves across the sky and I follow toad. I don’t even know why anymore because all I’m doin’ is thinkin’ about how my chest has felt since brother left; the hole sittin’ right where my heart should be. Pressing fingertips to my chest, I wonder if a heart really can be broken into pieces or maybe it disappears when you get to hurtin’ too bad.

An excited voice makes me jump.

“Are you a friend of toad too?”

A girl stands in front of an identical cobblestone well to the one in our yard. The puddle here is more grey than green. She’s wearing overalls and pressing her bare toes into the mud.

“I am,” I say. Her eyes are the color of the sky.

“I’m Addie,” the girl says holding out her hand.

“Kate,” I say and we shake.

We get to talkin’ and walkin’. Addie doesn’t have any friends either. We decide we should be best friends. We pick wildflowers and make crowns. Her Ma gives us fresh lemonade and her Pa says he’ll let my folks know I’m safe. We play until the stars come out. On the walk home, I stop by and find toad beside our cobblestone well. Real quiet-like I tell him “thank you” but toad, toad says nothin’.

Poetry: House sitting

Unfamiliar bedsheets. Different 
light. Playing house. Here 
I can be anything. Time
traveler. Lover. Midnight poet
lost in fog. I collect pine cone
roses. Walk the gargoyle dog
under mocking magpies. Wooden
floors creak. Could be a ship. 
I’m the captain. Ocean calls
within pink coffee cups. Dance
darling. Spin me. Do you see
those lights? Pumpkin memories
flickering. Was it a crowded
nightclub? A woodland church?
It happens again. It happens
again. Pour me another glass—
sing. Your voice calls. Sounds
like together. Like us. Like me.
I can be anything. This time.

52 Photo Challenge: Week 41-Texture Overlay

“….he said it was interesting. He used the word ‘textured’. He said ‘smooth’ is boring but ‘textured’ was interesting, and the scar meant that I was stronger than whatever had tried to hurt me.” —Jeannette Walls

This week my assignment for the 52 photo challenge was to create images using a texture overlay. For those unfamiliar, it means after taking the image you add an overlay in the post-processing to give the photo a different texture.

I’ve never played with this feature before and had fun trying out different effects. Some of these I blended until they almost disappeared but others I made more obvious. Let me know if you have a favorite and what you think of this type of editing. Not sure I’ll use it often but it’s a great tool to add to my growing photography skills.

  • If you are in the mood for some reading, here’s a short ghost story I wrote this time last year. I’m proud of this one. Week 41: The Cornfield

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  • Photos were taken with Olympus OM-D  and edited with ON1 Photo RAW
  • If you want to join the 52 Photo Challenge, you can find all the information at nicolesy.com

52 Photo Challenge
Week 1: Bokeh
Week 2: Silhouette
Week 3: Black and White
Week 4: Motion Blur
Week 5: Texture
Week 6: Framing
Week 7: Leading Lines
Week 8: Negative Space
Week 9: Patterns
Week 10: Symmetry
Week 11: Green
Week 12: Sidelight
Week 13: Sense of Scale
Week 14: One Lens
Week 15: Series
Week 16: Flat Lay
Week 17: Behind the Scenes
Week 18: Water
Week 19: Blurry Foreground
Week 20: Unique Perspective
Week 21: Shadow
Week 22: Food
Week 23: Abstract
Week 24: Reflection
Week 25: Contrast Color
Week 26: Think in Threes
Week 27: Starburst
Week 28: Low Perspective
Week 29: Macro
Week 30: Backlight
Week 31: Big Sky
Week 32: Dominant Color
Week 33: Fill the Frame
Week 34: Spot Metering
Week 35: Handheld Long Exposure
Week 36: S Curve
Week 37: Shoot Through
Week 38: Faces
Week 39: Blossom
Week 40: Environmental Portrait

poetry: clever

panic sits inside my shoulder
just under the skin
wiggling spiderset leggy, crawling
3 a.m. do you know where your children are?
i check, don’t trust my eyes
other senses won’t wake
drive a tractor toward a fence
can’t go fast enough to break through
are they on the other side
am i running to or from something
hold my hand, am i really here
bubbles become breath, no breath is bubbly
spiders lie, right, it’s not real
4 a.m. do you know where your children are?
they aren’t little but the world is bigger now
eyes too open, close them
rest your head upon my shoulder
my head doesn’t know where to rest
it spins, a top loose upon the table, it trips the horse
we tumble, tangled limbs, hoofs, hair
spider calls its friends, a party moves down my body
pop the champagne, let’s go
5 a.m. do you know where your children are?
pull the legs off so they can’t scurry inside
i still feel them even when i say they aren’t real
exterminators tell me they got every single one
but why do i hear them tap dancing
clever cat knows, he will find them for me
hearts can only take so much, he purrs
6 a.m. do you know where your children are?
too late to take the little white pill, stuff to do
it makes me sleepy—fight it, fight it, fight it
eight-leg shadows find my chest, neck, eyes
fine, take it, one loud swallow
fingers find keyboard, words trip/flip/skip
not good enough, not anything, fine, all fine
check kids one more time, one more time
one
more
time
step outside, cool air brushes skin softer
morning traffic sounds, my ocean
in and out, nothing else, we breathe
seagulls cry with the mourning doves
time to do last night’s dishes
another load of laundry
i know where my kids are


Author’s note: I suffer from occasional panic attacks. I had one this morning and penned these words in an attempt to capture the feeling.

poetry: wonder

we watch the water hold tight
rope swings, we jump high
rise like lilacs, like waves, like space
ship rocks, sways, we tumble
weeds snare, we stare at sun
shine within, soft skin, we whirl
pool glows, grows, lacks sense
less we see, less we know—a flash
back to life, hands catch cold rain
bow tied neatly around bold moon
light dances, our souls wonder
land a kiss upon my lips, our hour
glass turns, we say goodnight


Author’s note: Each line in this poem ends with the start of a compound word. You can either read the poem line by line or you can read those words combined—tightrope, highrise, spaceship, etc. Let me know what you think.

52 Photo Challenge: Week 40-Environmental Portrait

“As long as there are kids who are pissed off and have no real way in venting out that anger, heavy metal will live on.”—Ozzy Osbourne

This week my assignment for the 52 photo challenge was to create an environmental portrait. Ideally, the image would be of a person in their surroundings and it would tell a story.

I didn’t quite follow the instructions. Instead of featuring a singular subject in an environment, I redefined it as featuring the environment itself. The place I focused on was Aftershock. It’s a four-day festival featuring 90 bands with more than 160,000 people in attendance.

As I wasn’t allowed to bring in my camera, all these photos are from my iPhone 13. I added a “gritty” look during editing which fits the mood of the audience and the music. Some of the bands featured on the day I attended were Avatar, Baby Metal, 311, and Korn. The temperature was hot. The crowds were wild. It was a lot of fun. I’m still tired.

  • If you are in the mood for some reading, here’s a short story I wrote this time last year. It’s one of my favorites. Week 40: Room 313

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#10—the crowd walking out at the end of the night looking like a zombie movie.


  • Photos were taken with an iPhone 13 and edited with ON1 Photo RAW
  • If you want to join the 52 Photo Challenge, you can find all the information at nicolesy.com

52 Photo Challenge
Week 1: Bokeh
Week 2: Silhouette
Week 3: Black and White
Week 4: Motion Blur
Week 5: Texture
Week 6: Framing
Week 7: Leading Lines
Week 8: Negative Space
Week 9: Patterns
Week 10: Symmetry
Week 11: Green
Week 12: Sidelight
Week 13: Sense of Scale
Week 14: One Lens
Week 15: Series
Week 16: Flat Lay
Week 17: Behind the Scenes
Week 18: Water
Week 19: Blurry Foreground
Week 20: Unique Perspective
Week 21: Shadow
Week 22: Food
Week 23: Abstract
Week 24: Reflection
Week 25: Contrast Color
Week 26: Think in Threes
Week 27: Starburst
Week 28: Low Perspective
Week 29: Macro
Week 30: Backlight
Week 31: Big Sky
Week 32: Dominant Color
Week 33: Fill the Frame
Week 34: Spot Metering
Week 35: Handheld Long Exposure
Week 36: S Curve
Week 37: Shoot Through
Week 38: Faces
Week 39: Blossom

Flash Fiction: Spider Moon

My spider has a moon on its back. It’s not a big one. Don’t be silly. It’s small, like my spider. In fact, you might not see it unless you get close. Really, really close. I know you won’t because of the eight legs and eight eyes thing, but you’re missing out. The moon is translucent and shiny—a rare precious gem. You might even call it pretty. I like to stare at it before bed and sometimes even touch it. My spider doesn’t mind. It likes me.

The moon affects the way my spider moves and feeds. Full moon days it must find a quiet place to lay because it’s weighed down by the gravity of it. On new moon days, it hunts. Some insects have learned this cycle and can avoid becoming prey. They are the smart ones. Plenty aren’t so bright; my spider finds them and fills its stomach. Drinks them up.

Now, dear, you must ask yourself an important question on this dark, dark night. Do I have a moon on my back? You see, we are alone in this room. You are close enough I can hear your heart beating and feel the warmth of your skin. Am I the kind of creature who feeds in the dark or the light? You tell me.


Author’s note: This tiny story was inspired by the second day of Inktober prompt “spider.” It’s my attempt at a campfire tale. Let me know what you think!

Poetry: Dream With Me

It’s a cave. No, it’s a mouth. I’m standing on the tongue trying not to be swallowed but I find the warmth alluring. It’s almost like a siren song but I can’t hear it. What if I let myself go?

Action accompanies thought and I slide gently backward. I’ve turned into little Alice, all blue and white. Clicking my feet together three times I land beside the white rabbit but he’s got fangs and he tries to bite my ankles. “No,” I say but my words come out as meows. I’ve got whiskers and a hankering to find a spot to lay in the sun but it’s only skin all around me.

Is it tea time yet? A tidal wave of Mint Majesty knocks me off my feet and I tumble further and further down until I come out into the bright sunshine. I’m not inside anymore, I think, but maybe I’ve reached the center. Giant sunflowers surround a not-yellow house with a white picket fence. Voices call from inside but they are madness and I cover my ears so I don’t hear them. Too late. “Curl up into a ball,” they say.

I’m rolling now along a path lined by oceans on both sides. Starfish leap at me but I’m too fast. My bowling ball self hits the pins and someone yells “Strike” but before I can celebrate I’m in the cave again. No, it’s a mouth. This time I’ll do things differently.


Author’s note: I’m participating in Inktober this year by writing the prompt instead of making a drawing. This poem was my response to “dream.”

52 Photo Challenge: Week 39-Blossom

“And the day came when the risk to remain tight in a bud was more painful than the risk it took to blossom.”—Anaïs Nin

“Things blossom in their time. They bud and bloom, blossom and fade. Everything in its time.”—Neil Gaiman

This week my assignment for the 52 photo challenge was to take photos that define the word blossom. While it could be interpreted in more abstract ways, I decided to visit my local plant nursery and photograph literal blossoms.

What excites me about these photos is I had an idea of the type of image I wanted—black background and bold colors. In the past, I’ve achieved this look by accident, but today I did it on purpose. I consider this a huge photography milestone.

Let me know which photo is your favorite and have a wonderful week.


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Not a blossom, but aren’t those water drops pretty?

  • Photos were taken with an Olympus OM-D and edited with ON1 Photo RAW
  • If you want to join the 52 Photo Challenge, you can find all the information at nicolesy.com

52 Photo Challenge
Week 1: Bokeh
Week 2: Silhouette
Week 3: Black and White
Week 4: Motion Blur
Week 5: Texture
Week 6: Framing
Week 7: Leading Lines
Week 8: Negative Space
Week 9: Patterns
Week 10: Symmetry
Week 11: Green
Week 12: Sidelight
Week 13: Sense of Scale
Week 14: One Lens
Week 15: Series
Week 16: Flat Lay
Week 17: Behind the Scenes
Week 18: Water
Week 19: Blurry Foreground
Week 20: Unique Perspective
Week 21: Shadow
Week 22: Food
Week 23: Abstract
Week 24: Reflection
Week 25: Contrast Color
Week 26: Think in Threes
Week 27: Starburst
Week 28: Low Perspective
Week 29: Macro
Week 30: Backlight
Week 31: Big Sky
Week 32: Dominant Color
Week 33: Fill the Frame
Week 34: Spot Metering
Week 35: Handheld Long Exposure
Week 36: S Curve
Week 37: Shoot Through
Week 38: Faces

poetry: lunch with jenny

i am burning it down she says
while we eat meat and rice
in the afternoon. flames crackle 
between us scorching nearby tables 
and turning sorrys into ash. our 
daughters watch us shoot lasers 
from our eyes while holding 
hands. we laugh at time shedding
worn-out shadows until we sing
our siren call center stage. fire
leaps from our naked tired bodies
to transform old beliefs until 
they break free or bloom or evolve;
anything but stand still. wiggle
it loose until it snaps. forget
how it looks. our mothers didn’t
know but we do. we dare each other
to burn brighter and brighter. we
promise to not look away. hearts
can be soft and still rage. let’s
get together again soon, i say.