52 Photo Challenge: Week 42-Details

“Every man’s life ends the same way. It is only the details of how he lived and how he died that distinguish one man from another.”—Ernest Hemingway

This week my assignment for the 52 photo challenge was details. We were asked to take two photos of each subject—near and far. The idea is to show the context of the details.

As October is a time many honor those who have passed, I decided to visit the Sacramento Historic City Cemetery this morning for this assignment. Let me know which pair of images you like best and have a wonderful week.


#1

#1.2

#1.3

#2

#2.2

#3

#3.2

#4

#4.2

#5

#5.2

#6

#6.2
#7

#7.2


Here are some creatures around the cemetery and one bonus photo:

#8

#9

#10

#11

#12

  • Photos were taken with Olympus OM-D  and edited with ON1 Photo RAW
  • If you want to join the 52 Photo Challenge, you can find all the information at nicolesy.com

52 Photo Challenge
Week 1: Bokeh
Week 2: Silhouette
Week 3: Black and White
Week 4: Motion Blur
Week 5: Texture
Week 6: Framing
Week 7: Leading Lines
Week 8: Negative Space
Week 9: Patterns
Week 10: Symmetry
Week 11: Green
Week 12: Sidelight
Week 13: Sense of Scale
Week 14: One Lens
Week 15: Series
Week 16: Flat Lay
Week 17: Behind the Scenes
Week 18: Water
Week 19: Blurry Foreground
Week 20: Unique Perspective
Week 21: Shadow
Week 22: Food
Week 23: Abstract
Week 24: Reflection
Week 25: Contrast Color
Week 26: Think in Threes
Week 27: Starburst
Week 28: Low Perspective
Week 29: Macro
Week 30: Backlight
Week 31: Big Sky
Week 32: Dominant Color
Week 33: Fill the Frame
Week 34: Spot Metering
Week 35: Handheld Long Exposure
Week 36: S Curve
Week 37: Shoot Through
Week 38: Faces
Week 39: Blossom
Week 40: Environmental Portrait
Week 41: Texture Overlay

Shoebox Poetry: Blurry Eddie

You carve our names “E+K”
into the ancient oak behind
your daddy’s church in hopes
I’ll see, but I’ve grown 
tired of playing your endless

games. My drawers overflow with
your teeny-tiny top-secret 
messages penned on newspaper scraps—
“I miss you,” “meet me
behind the old Bulto Market,”

and “kiss me, dearest Kate,
I’m dying for you.”
Just
words. I need more than
blue-eyed winks and brief
hidden embraces. My love needs

sunshine—warm, bright, radiating fire
so vibrant it can’t be
stoppered or hidden. Explosive volcano
love, running thick down our
bodies. Popcorn love, loud hot

buttery passion devoured with both
hands. Instead, you give me
your blurry photograph standing at
301 Caroline Street, our secret
kissing place. You write in

sweeping curvy letters “this is
not very clear, but it’s 
still me. Eddie.”
Blurry love
is what you offered, thinking 
I’d accept, but I deserve

someone who wants our love
to be broadcasted, shouted, screamed
into the streets. Bullhorn loud
love. Free to be me
love. So, I chased you

onto the old bridge, calling
out through hot tears, “choose 
all of me or none 
of me.”
The bright moonlight 
stretched my dark shadow so 

it covered you entirely as 
you walked away without looking 
back. My young love never
wavered, but yours wasn’t brave
enough to fight. It’s funny

now, finding your thoughtless dare
scrawled in ink, “see how
long you can keep this.”

I kept it forever, blurry
Eddie. Not for you, though

for me.

I stayed in focus.



Shoebox Poetry: This is the second poem in my series based on an old box of photos I inherited when my grandmother died in 2004. I don’t have any idea who Eddie was, but I wanted to rewrite a possible old love story as a moment of empowerment for my grandmother. She was a fierce woman and I like to think she kept this photograph as a reminder of her strength. If someone out there happens to know Eddie, sorry. This is pure fiction and I’m sure he is/was a lovely man.